94 pp.; HB w/DJ. Pages: clean, bright, tight; no defects. Cover: red, black titles spine; head and heel curved. DJ: unclipped in Brodart, white w/ red and black linework front, red and black titles or text all surfaces; top edge and spine modestly tanned. A relatively scarce title/edition in great condition. Williams' examination of the "military-industrial complex and all the dehumanizing trends it represents . . . .".

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Bibliographic Details

Title: The Red Devil Battery Sign
Publisher: New Directions, New York
Publication Date: 1988
Language: English
ISBN 10: 0811210464
ISBN 13: 9780811210461
Binding: Cloth
Edition: First Thus (by this publisher)
Condition: Fine (+)
Dust Jacket Condition: Fine (-)
Weight: 2.2 pounds

About this title

Synopsis

It is not widely enough appreciated that in his late plays Tennessee Williams had become a largely experimental playwright who, in the words of one London critic of The Red Devil Battery Sign, “bursts the seams of the theatre.” Williams is our great poetic visionary and in The Red Devil Battery Sign the vision has become nightmare, the nightmare of a corrupt and decadent civilization on the brink of destruction. The Red Devil Battery Company (which first appeared in the 1966 novella, “The Knightly Quest”) is Williams’ symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials, to assassination plots directed against those who won’t play the game, to attempted coups by right-wing zealots. Trapped in a surreal Dallas landscape (lit by the flickering menace of the Red Devil billboard) are the Woman Downtown––the abused daughter of a crooked Texas politician and electro-shocked wife of the Red Devil president––and King, once the leader of a mariachi band, but now dying of a brain tumor and demeaned by being his hard-working wife’s “invalid dependent.” And in wordless counterpoint to the hallucinatory plot of the Woman and King’s affair are heard the mariachi guitars strumming life’s illusions and the wolf-like cries of roaming gangs of homeless youths poised on the outskirts of the city. “No one can write better [than Tennessee Williams] of the brief passion of two victims of life’s dirty tricks,” wrote the Daily Mail’s Peter Lewis of the 1977 London production on which this edition is based.

About the Author

Tennessee Williams (1911–1983) was America’s most influential playwright. Readers have devoured his poetry, essays, short stories, and letters, as well as his fantastic late plays, his remarkable corpus of one-acts, and his greatest plays―The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, The Night of the Iguana, The Rose Tattoo, Suddenly Last Summer, and Camino Real. Williams is a cornerstone of New Directions―we publish everything he wrote. He is also our single bestselling author.

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Independent Books deals in used, antiquarian, and rare collectible volumes. Our books are in great condition, and we frequently have one-of-a-kind collectibles in extraordinary shape. A tremendous resource for the discriminating collector/connoisseur. Service and client satisfaction are our hallmarks. We are glad to conduct research, locate a difficult-to-find title, or conduct a valuation of your books. Our book rating standards follow (all defects are noted); nearly all of our stock is VG or better. Fine(+): clean, bright, tight, no wear, no defects ("as new"); Fine: not perfectly bright, minor marks or other slight defects; Very Good (VG): small to medium tears, chips, marks, cocked etc.; Good (G): not so much, with larger tears or chips, possibly soiled, cocked, lacking a non-essential page, etc.; Fair: ugly, with pages or large areas of DJ missing or other major defects, such as a missing text page; Poor(P)-truly ugly, disbound or requiring other major rehabilitation. We stabilize most minor defects with archival quality materials, and with few exceptions, these stabilizations are reversible.

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