Remote Control: Power, Cultures, and the World of Appearances

Barbara Kruger

ISBN 10: 0262111772 / ISBN 13: 9780262111775

Published by The MIT Press, Cambridge, 1993

About this Item

1st ed. 251pp. G+/G+ copy, boards slightly bumped, jacket lightly edgeworn with small label removal tear to rear cover, hint of sunning to spine, price-clipped, now preserved in mylar jacket protector.

Seller Inventory # 021429

Bibliographic Details

• Title: Remote Control: Power, Cultures, and the World of Appearances
• Publisher: The MIT Press, Cambridge
• Publication Date: 1993
• Language: English
• ISBN 10: 0262111772
• ISBN 13: 9780262111775
• Binding: Hardcover
• Edition: 1st Edition
• Condition: Good
• Dust Jacket Condition: Good
• Seller catalogs:
  • Art & Design

About this title

Synopsis

A collection of Kruger's caustic essays most of which have appeared in Artforum, Esquire, The New York Times, and the Village Voice , although a few are previously unpublished. She comments on television, talk radio, the omnipresence of Madison Avenue, the New York Film Festival, the Home Shopping Club, and other artifacts of our culture. Annotation copyright Book News, Inc. Portland, Or.

Reviews

Kruger, an artist whose subversively direct works address such themes as power, sexual politics and money, is mostly on target as a social and cultural critic in these essays, reviews and prose poems originally published in Artforum , Esquire , the Village Voice and elsewhere during the last 14 years. She forcefully describes TV as a thought-control device, a powerful sedative that aims to satisfy viewers' needs for order, control and connection; and her critique is buttressed by a sophisticated analysis of documentaries, courtroom dramas and an array of popular series. Her brilliant movie reviews capture the creative ferment of experimental and international filmmaking and expose the pretensions of mainstream fare. The big and small screen predominate in this miscellany, but Kruger also has much to say on radio host Howard Stern ("crazily funny" but also an embodiment of "dangerously unexamined populism"), Andy Warhol, work, money and photography.
Copyright 1993 Reed Business Information, Inc.

Like her work as a visual artist, Kruger's essays, published in such journals as Artforum and the Village Voice, are about the ideological messages encoded in popular culture and how those messages convey certain attitudes toward the roles of women and minorities. Probing such seemingly innocuous television programming as "L.A. Law," "Entertainment Tonight," "The Home Shopping Club," "Good Morning, America," and the Iran-Contra hearings, as well as more subversive cultural products such as the independent films of Yvonne Rainer and Chantal Ackerman, Howard Stern's radio show, and the work of Andy Warhol, Kruger deconstructs media and art and shows how words and images manipulate and obscure meaning as they are force-fed down our throats. Kruger is an important contemporary artist, and her writing, while somewhat dense and polemical, is worthy of examination. Benjamin Segedin