Reworking the Ballet
Midgelow, Vida L.
Sold by Frank J. Raucci, Bookseller, Wallingford, CT, U.S.A.
AbeBooks Seller since November 18, 2004
Used - Soft cover
Condition: Used - Near fine
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by Frank J. Raucci, Bookseller, Wallingford, CT, U.S.A.
AbeBooks Seller since November 18, 2004
Condition: Used - Near fine
Quantity: 1 available
Add to basketFirst Edition. Pictorial Stiff Wraps, Paperback. A bright, clean, tight copy sans tears, stains, discoloration, etc. with all text and illustrations clear/unmarked. "Challenging and unsettling their predecessors, modern choreographers such as Matthew Bourne, Mark Morris and Masaki Iwana have courted controversy and notoriety by reimagining the most canonical of Classical and Romantic ballets. In this book Dr Vida Midgelow examines the ways in which these contemporary reworkings unveil and dismantle the basic assumptions of their texts, reconfiguring ballet to encompass changing attitudes towards gender, sexuality and cultural difference." ILLUSTRATED in black and white photography with accompanying descriptive captions. 223 pages. GH12.
Seller Inventory # 019605
Challenging and unsettling their predecessors, modern choreographers such as Matthew Bourne, Mark Morris and Masaki Iwana have courted controversy and notoriety by reimagining the most canonical of Classical and Romantic ballets.
In this book, Vida L. Midgelow illustrates the ways in which these contemporary reworkings destroy and recreate their source material, turning ballet from a classical performance to a vital exploration of gender, sexuality and cultural difference.
Reworking the Ballet: Counter Narratives and Alternative Bodies articulates the ways that audiences and critics can experience these new versions, viewing them from both practical and theoretical perspectives, including:
Dr. Vida L Midgelow is a Reader in Performance Studies and Dance at The University of Northampton, UK and Director of The Choreographic Lab. Her research activities cross between practice-as-research and traditional written modes. She has presented papers and toured her movement based works in the UK and internationally. She has particular expertise in current European dance practices, the radical reworking of the classics, gender and sexuality in performance, choreographic methodologies and improvisation. Her essay ‘Decentred Bodies: Postfeminist Corporealities Dance’ (in The Postfeminist Handbook, 2006) brings together several of these concerns. In recent years she has also made a number of choreographic installation pieces, these include; O (a set of footnotes to Swan Lake) and Threshold : Fleshfold.
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