Robert Rauschenberg: Combines (First Edition)

[Robert Rauschenberg]

ISBN 10: 3865211453 / ISBN 13: 9783865211453

Published by Steidl / The Museum of Contemporary Art, Gottigen, Germany and Los Angeles, 2005

About this Item

Hardcover. First Edition. As New. Fine and unread in a Near Fine dust jacket. Oversize volume, shipping billed at cost. Seller Inventory # 165599

Bibliographic Details

Title: Robert Rauschenberg: Combines (First Edition)

Publisher: Steidl / The Museum of Contemporary Art, Gottigen, Germany and Los Angeles

Publication Date: 2005

Binding: Hardcover

Dust Jacket Condition: Dust Jacket Included

Edition: First Edition.

About this title

Synopsis:

Poetic and lush, Robert Rauschenberg's Combines present layers of complex and sometimes conflicting information. This approach, first explored by Rauschenberg in the early 1950s, proved prescient and has become increasingly relevant in the current age of cascading information, when even the most ground-breaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials and the complexity of forms that are characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterly qualities of Abstract Expressionism and iconographical, subject-driven early Pop art. This book focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career, and constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical and aesthetic significance. An introductory essay by exhibition curator Paul Schimmel titled “Reading Rauschenberg” offers an iconographic analysis of the earlier Combines, based on in-depth conversations with the artist. Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own from de Kooning to Pop art.