Screening the Text: Intertextuality in New Wave French Cinema
Language: English
Published by Johns Hopkins Univ Press, Baltimore, Maryland, U.S.A., 1992
- First Edition
- Hardcover
- Used
Seller: Works on Paper, DeKalb, IL, U.S.A.Works on Paper
AbeBooks seller since October 1, 2003
Condition: Used - Very good
US$ 18.00
Quantity: 1 available
Add to basketItem description from seller
A very good copy of the first hard cover edition in a like (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A lovely copy.
Seller Inventory # 013774
- Title
- Screening the Text: Intertextuality in New Wave French Cinema
- Author
- Kline, T. Jefferson
- Publisher
- Johns Hopkins Univ Press, Baltimore, Maryland, U.S.A.
- Publication year
- 1992
- Condition
- Very Good
- Dust jacket
- Very Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0801842670
- ISBN 13
- 9780801842672
- Edition
- First Edition
Cinema has always been "literary" in its desire to tell stories and in its need to borrow plots and narrative techniques from novels. But the French New Wave directors of the 1950s self-consciously rejected the idea that film was a mere extension of literature. With subversive techniques that exploded traditional methods of film narrative, they embraced fragmentation and alienation. Their cinema would be literature's rival, not its apprentice. In Screening the Text, T. Jefferson Kline argues that the New Wave's rebellious stance is far more complex and problematic than critics have acknowledged. Challenging conventional views of film and literature in postwar France, Kline explores the New Wave's unconscious obsession with the tradition it claimed to reject. He uncovers the wide range of the literary and cultural texts -- American films, classical mythology, French literature, and a variety of Russian, Norwegian, German, and English writers and philosophers -- as "screened" in seven films: Truffaut's Jules et Jim; Malle's Les Amants; Resnais's L'Année dernière à Marienbad; Chabrol's Le Beau Serge; Rohmer's Ma Nuit chez Maud; Bresson's Pickpocket; and Godard's Pierrot le fou.
"Synopsis" may belong to another edition of this title.
About the Author
T. Jefferson Kline is a professor of French at Boston University.
"About the title" may belong to another edition of this title.
Works on Paper
DeKalb, IL, U.S.A.
AbeBooks seller since October 1, 2003
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