The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting

V. I. Stoichita

ISBN 10: 1909400114 / ISBN 13: 9781909400115

Published by Harvey Miller Publishers, London, 2015

About this Item

Harvey Miller Studies in Baroque Art(HMSBA 4) V. I. Stoichita The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting Add to basket -> VI+337 p., 138 colour ill., 220 x 280 mm, 2015 ISBN: 978-1-909400-11-5 Languages: English Hardback The publication is available. Retail price: EUR 190,00 V. I. Stoichita The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the "old" image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the "new" image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to "frame" the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita's Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting Size: 220 X280 mm-.

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Bibliographic Details

• Title: The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting
• Publisher: Harvey Miller Publishers, London
• Publication Date: 2015
• Language: English
• ISBN 10: 1909400114
• ISBN 13: 9781909400115
• Binding: Couverture rigide
• Edition: prima edizione
• Printing: Prima stampa
• Condition: Neuf
• Dust Jacket Condition: Neuf

About this title

Synopsis

The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the old image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the new image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to frame the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita's Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting.

Book Description

Victor Stoichita challenges the received ideas about the linear progression of Western painting, from the Renaissance to the Baroque. Arguing that panel painting, from its origins in the Early Renaissance, was a 'self-aware image', Stoichita demonstrates that the artist and his art was often the theme of the painting.