Shadowing Ralph Ellison (Margaret Walker Alexander Series in African American Studies)

John S. Wright

ISBN 10: 1578068509 / ISBN 13: 9781578068500

Published by University Press of Mississippi, U.S.A., 2006

About this Item

1st EDITION. This copy is NEW; the text is clear, bright, and unmarked; binding is tight. No jacket, the covers are New: intact , including excellent color and design. We have a five star rating because of our fulfilment success and because our descriptions are accurate On foreign sales, because of the heavy weight of this book, we have to charge extra for shipping: however, we will only charge the difference between our regular shipping rate and the extra charge that the U.S.Post Office asks to ship the book. We guarantee: NO NASTY SURPRISES.

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Bibliographic Details

• Title: Shadowing Ralph Ellison (Margaret Walker Alexander Series in African American Studies)
• Publisher: University Press of Mississippi, U.S.A.
• Publication Date: 2006
• Language: English
• ISBN 10: 1578068509
• ISBN 13: 9781578068500
• Binding: Hardcover
• Edition: First Edition
• Condition: New
• Dust Jacket Condition: No Jacket

About this title

Synopsis

In 1952, Ralph Ellison (1914-1994) published his novel Invisible Man, which transformed the dynamics of American literature. The novel won the National Book Award, extended the themes of his early short stories, and dramatized in fictional form the cultural theories expressed in his later essay collections Shadow & Act and Going to the Territory.

In Shadowing Ralph Ellison, John Wright traces Ellison's intellectual and aesthetic development and the evolution of his cultural philosophy throughout his long career. The book explores Ellison's published fiction, his criticism and correspondence, and his passionate exchanges with—and impact on—other literary intellectuals during the Cold War 1950s and during the culture wars of the 1960s, 1970s, and 1980s.

Wright examines Ellison's body of work through the lens of Ellison's cosmopolitan philosophy of art and culture, which the writer began to construct during the late 1930s. Ellison, Wright argues, eschewed orthodoxy in both political and cultural discourse, maintaining that to achieve the highest cultural awareness and the greatest personal integrity, the individual must cultivate forms of thinking and acting that are fluid, improvisational, and vitalistic—like the blues and jazz. Accordingly, Ellison elaborated throughout his body of work the innumerable ways that rigid cultural labels, categories, and concepts—from racial stereotypes and fashionable academic theories to conventional political doctrines—fail to capture the full potential of human consciousness. Instead, Ellison advocated forms of consciousness and culture akin to what the blues and jazz reveal, and he portrayed those musical traditions as the best embodiment of the evolving American spirit.

John Wright is associate professor of African American and African studies and English at the University of Minnesota and is faculty scholar for the Archie Givens, Sr., Collection of African American Literature and Life. He coedited, with Michael S. Harper, A Ralph Ellison Festival (a special volume of the Carleton Miscellany).

About the Author

John Wright is associate professor of African American & African studies, and English, at the University of Minnesota, and is faculty scholar for the Archie Givens, Sr., Collection of African American Literature and Life. He co-edited, with Michael S. Harper, A Ralph Ellison Festival (a special volume of the Carleton Miscellany).