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Bellwetherbooks, McKeesport, PA, U.S.A.
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AbeBooks Seller since April 17, 2007
Good Condition and Unread! Text is clean and unmarked! Bruise/tear to cover. Has a small black line or red dot on bottom/exterior edge of pages. Seller Inventory # WW-HCD-G-0393050688
A bold new approach to writing (and reading) poetry based on great poetry of the past.
Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made― in terms borrowed from the “singing school” of William Butler Yeats’s “Sailing to Byzantium.”Robert Pinsky’s headnotes for each of the 80 poems and his brief introductions to each section take a writer’s view of specific works: William Carlos Williams’s “Fine Work with Pitch and Copper” for intense verbal music; Emily Dickinson’s “Because I Could Not Stop for Death” for wild imagination in matter-of-fact language; Robert Southwell’s “The Burning Babe” for surrealist aplomb; Wallace Stevens’s “The House Was Quiet and the World Was Calm” for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets.
This anthology respects poetry’s mysteries in two senses of the word: techniques of craft and strokes of the inexplicable.
About the Author: Robert Pinsky is the award-winning author of over twenty volumes of poetry. He served as United States poet laureate from 1997 to 2000, during which time he founded the Favorite Poem Project. He teaches at Boston University and lives in Cambridge, Massachusetts.
Title: Singing School: Learning to Write (and Read)...
Publisher: W. W. Norton & Company
Publication Date: 2013
Binding: hardcover
Condition: Good
Edition: First Edition.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condition: Good. First Edition. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported. Seller Inventory # 0393050688-11-18
Quantity: 1 available
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 7999271-6
Quantity: 2 available
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 7999271-6
Quantity: 3 available
Seller: Montana Book Company, Fond du Lac, WI, U.S.A.
Hardcover. Condition: Good. 1st Edition. 221 pp. Tightly bound. Corners not bumped. Text is free of markings. Very good dust jacket. Jacket not price clipped. First Edition / First Printing. 1,2,3,4,5,6,7,8,9,0. NOTE: This copy is a very clean EX-LIBRARY COPY. There are no call numbers on the book or dust jacket. There is not a check-out pocket at the back of the book. There are no names on the page edges. There are some small library stamps on the front end paper. Seller Inventory # 089160
Quantity: 1 available
Seller: Grand Eagle Retail, Mason, OH, U.S.A.
Hardcover. Condition: new. Hardcover. Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made in terms borrowed from the "singing school" of William Butler Yeats's "Sailing to Byzantium." Robert Pinsky's headnotes for each of the 80 poems and his brief introductions to each section take a writer's view of specific works: William Carlos Williams's "Fine Work with Pitch and Copper" for intense verbal music; Emily Dickinson's "Because I Could Not Stop for Death" for wild imagination in matter-of-fact language; Robert Southwell's "The Burning Babe" for surrealist aplomb; Wallace Stevens's "The House Was Quiet and the World Was Calm" for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets. This anthology respects poetry's mysteries in two senses of the word: techniques of craft and strokes of the inexplicable. A bold new approach to writing (and reading) poetry based on great poetry of the past. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780393050684
Quantity: 1 available
Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made in terms borrowed from the "singing school" of William Butler Yeats's "Sailing to Byzantium." Robert Pinsky's headnotes for each of the 80 poems and his brief introductions to each section take a writer's view of specific works: William Carlos Williams's "Fine Work with Pitch and Copper" for intense verbal music; Emily Dickinson's "Because I Could Not Stop for Death" for wild imagination in matter-of-fact language; Robert Southwell's "The Burning Babe" for surrealist aplomb; Wallace Stevens's "The House Was Quiet and the World Was Calm" for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets. This anthology respects poetry's mysteries in two senses of the word: techniques of craft and strokes of the inexplicable. A bold new approach to writing (and reading) poetry based on great poetry of the past. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780393050684
Quantity: 1 available
Seller: Type Punch Matrix, Silver Spring, MD, U.S.A.
Condition: Near fine in near fine jacket. First edition (stated). First printing of this anthology of poems with Pinsky's commentary, designed to serve as example and inspiration to aspiring poets. 8'' x 5.5''. Original quarter white cloth with blue boards. In original unclipped ($25.95) dust jacket. 221, [1] pages. Corners lightly bumped. Seller Inventory # 47222
Quantity: 1 available
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made in terms borrowed from the "singing school" of William Butler Yeats's "Sailing to Byzantium." Robert Pinsky's headnotes for each of the 80 poems and his brief introductions to each section take a writer's view of specific works: William Carlos Williams's "Fine Work with Pitch and Copper" for intense verbal music; Emily Dickinson's "Because I Could Not Stop for Death" for wild imagination in matter-of-fact language; Robert Southwell's "The Burning Babe" for surrealist aplomb; Wallace Stevens's "The House Was Quiet and the World Was Calm" for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets. This anthology respects poetry's mysteries in two senses of the word: techniques of craft and strokes of the inexplicable. A bold new approach to writing (and reading) poetry based on great poetry of the past. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780393050684
Quantity: 1 available