Synopsis
Libro usado en buenas condiciones, por su antiguedad podria contener señales normales de uso
Reviews
Set in a variety of locales, from rural homes to island resorts, many of these 18 stories deal with gay awakenings. The 15-year-old hero of "International Male," for example, discovers his sexual identity when he goes to live with his gay uncle. In "Peggy Hagerman's Bikini," a boy helps his best friend dress up in stolen women's clothing, only to find the masquerade spinning wildly out of control. One of the strongest selections is "High Street," a pot-induced tale of unrequited passion among three college friends: Dana lusts for her gay friend, Bennie, who in turn yearns for his straight-acting friend, Al. Though several characters appear in more than one story, few traits link them; at times they seem to share only the same name. Mayes often forsakes character development to concentrate on elaborate plots and situations, though only the final story, "Saint Peter Cut to Pieces," where the gardener and the yard boy run off blissfully together from the estate where they work, seems to be wildly contrived. Occasionally, the material transcends the author's lean, flat style: the title character in the witty "Lola Gets," a drag queen, warmly tells her new roommate, a male stripper, "If you got a boyfriend, you have him over for dinner, just like everyone else does."
Copyright 1994 Reed Business Information, Inc.
Mayes's debut of interconnected short stories explores the
common themes of love and sexuality with a fresh new sensitivity.
Omar and Bennie are the childhood friends whose wanderings,
relationships, and loves make up this book as Mayes follows the
lives of gay men from initial encounters with homosexuality to
commitment to lifelong companions. He is especially strong in his
descriptions of young boys' first experiences, which range from
comic and obvious to sweet and subtle. During the summer of 1971
(``Peggy Hagerman's Bikini'') in Mud Lake, Mich., Omar and
Bennie's fascination with a precocious neighbor evolves from
stealing her bathing suit to wearing women's clothes to trying to
con the town's teenage Don Juan into dating Bennie; in the end,
their dress-up game proves more than a meaningless escapade. In
``International Male,'' an uncle tries to ease his gay nephew's
transition into adulthood with honest advice like ``you got to
know for sure [you're gay] before you go making plans.'' On a
more subtle note, (``Cow Girl''), Omar's lover remembers the
confusing sexual tension that coursed through the house when his
cousin and her girlfriend screamed, laughed, and made rhythmic
slapping noises behind the guest bedroom door--offering him a
close-up glimpse at forbidden love. Mayes also paints convincing
portraits of men struggling with their sexual identities: In
``Only in French,'' Omar, now a college student in Manhattan,
unsuccessfully balances a girlfriend, love for his male roommate,
and the disturbing news of a nearby murder during a gay-bashing
spree. There are some flat and confusing moments in the finale,
``Saint Peter Cut to Pieces,'' with its visions of a dismembered
saint, and the opening, ``Oblivion,'' with its disoriented old
man and his retarded daughter. But elsewhere, when Mayes stays
away from fantasy and illusion, his everyday shines with an
extraordinary light.
Gentle, endearing, sometimes campy, appropriately crass,
often wry, always funny. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
A blanket of hot, sticky air barely stirring in the slight, humid breeze covers the often turbulently emotional underpinnings of these tales of friendship, loyalty, betrayal, and longing. We meet aimless teens drifting from one reefer to another, one time-killing location to another: Dana, the obese girl who so desperately wants Bennie who wants Al who wants girls; the affluent Omar and his 15-years-younger lover, Clay; Charlie, the art student who insists on wearing boxer shorts to bed; Deadbeat, a half-starved, one-eyed old swamp-farm cat with a fly-infested wound and a "gross intestinal problem." Interwoven, their stories explore the gut-wrenching passions so often obscured by life's placid facades. Sometimes insightful and often shot through with bursts of compassion and wry humor, these stories probe the vagaries of the human condition in a manner consistent with the southern gothic tradition. Whitney Scott
Halfway through this collection, readers will likely realize that they've been wanting to read these wonderful stories for years, except no one had ever written them until now. Mayes's stories include "International Male," in which a lonely teenage boy, abandoned by his mother, moves in with a gay uncle whom he eventually seduces-though not as he intended-and "Peggy Hagerman's Bikini," in which two boys steal a neighbor's bikini, setting off a cross-dressing spree that ends in disaster. Although characters tend to reappear pervasively throughout this book-both as children and as adults-the very best stories are those that take place in the late 1970s, when the characters are college age, usually drunk or stoned, and trying to sort out their confused sexuality, often through comic misconnections and misunderstandings. Nearly all these stories share both an honesty and a tremendous inventiveness, which is no mean feat. For all fiction collections.
Brian Kenney, Brooklyn P.L.
Copyright 1994 Reed Business Information, Inc.
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