No Sound Is Innocent: Amm and the Practice of Self-Invention Meta-Musical Narratives Essays

Prevost, Edwin

ISBN 10: 0952549204 / ISBN 13: 9780952549208

Published by Small Pr Distribution, 1997

About this Item

New, still sealed, out of print. In this book, Eddie Prevost, drummer and a founder member, explores the reasons AMM came to be, the influences and refusals that have shaped its history, and the potential and the failings not only of the meta-music AMM is committed to, but all music everywhere: classical, jazz, folk, pop and the experimental avant garde. In a unique series of dissections and meditations, directly modelled on AMM's attitudes and practices in performances, Prevost examines the meanings of sound itself, giving them aesthetic, social and political dimension. These, together with an outline of the events of the group's three decades of existence, of alliances and conflicts within the collective, give voice to a radically contrarian but always thoughtful underground strand in present-day music-making, which has adherents all over the world, among players and listeners. It will fascinate and perhaps trouble anyone with an interest in modern music's deeper currents.

Seller Inventory # ABE-1787014550186

Bibliographic Details

• Title: No Sound Is Innocent: Amm and the Practice of Self-Invention Meta-Musical Narratives Essays
• Publisher: Small Pr Distribution
• Publication Date: 1997
• Language: English
• ISBN 10: 0952549204
• ISBN 13: 9780952549208
• Binding: Soft cover
• Edition: 1st Edition
• Condition: New
• Dimensions: 16.51W x 23.5H x 1.91D centimeters 16.51 centimeters width by 23.5 centimeters height by 1.91 centimeters depth
• Weight: 408 grams

About this title

Synopsis

In this book, Eddie Prevost, drummer and a founder member, explores the reasons AMM came to be, the influences and refusals that have shaped its history, and the potential and the failings not only of the meta-music AMM is committed to, but all music everywhere: classical, jazz, folk, pop and the experimental avant garde. In a unique series of dissections and meditations, directly modelled on AMM's attitudes and practices in performances, Prevost examines the meanings of sound itself, giving them aesthetic, social and political dimension. These, together with an outline of the events of the group's three decades of existence, of alliances and conflicts within the collective, give voice to a radically contrarian but always thoughtful underground strand in present-day music-making, which has adherents all over the world, among players and listeners. It will fascinate and perhaps trouble anyone with an interest in modern music's deeper currents.