Sound Unbound: Sampling Digital Music and Culture [Book + CD]
Language: English
Published by The MIT Press, 2008
- First Edition
- Softcover
- New

Seller: Remarks Used Books, Pittsfield, MA, U.S.A.Remarks Used Books
AbeBooks seller since March 30, 2012
Condition: New
US$ 50.00
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First edition, 1st printing. Edited by DJ Spooky that Subliminal Kid; Foreword by Cory Doctorow; Introduction by Steve Reich. Bright, clean & tight copy, unread, in NEW condition. "artists---from Steve Reich and Pierre Boulez to Chuck D and Moby---describe their work. SOUND UNBOUND is about the remix---how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In SOUND UNBOUND, Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Miller himself considers sampling and civilization; novelist Jonathan Lethem writes about appropriation and plagiarism; science fiction writer Bruce Sterling looks at dead media; Ron Eglash examines racial signifiers in electrical engineering; media activist Naeem Mohaiemen explores the influence of Islam on hip hop; rapper Chuck D contributes 'Three Pieces'; musician Brian Eno explores the sound and history of bells; Hans Ulrich Obrist and Philippe Parreno interview composer-conductor Pierre Boulez; and much more. 'Press 'play,'' Miller writes, 'and this anthology says 'here goes.'' The groundbreaking music that accompanies the book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of this content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music."[]"It's a lovely eclectic collection that is a nice antidote to the usual way music and the history of music is often categorized into high/low, pop/classical, or black/white. I like Sterling's analogy between our beloved high-tech media and inscrutable indecipherable archaic media like Incan quipus. From Raymond Scott to the hidden racism in digital circuitry to a history of easy listening, there is enough inspiring weirdness here to fuel some musical fires for a good while."---David Byrne. Pristine paperback w/bound-in unopened CD, brilliant corners & crisp edges, a square binding w/no creases in spine, no jacket as issued.…
Seller Inventory # RUB1489
- Title
- Sound Unbound: Sampling Digital Music and Culture [Book + CD]
- Author
- Paul Miller, editor
- Publisher
- The MIT Press
- Publication year
- 2008
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0262633639
- ISBN 13
- 9780262633635
- Edition
- 1st Edition.
If Rhythm Science was about the flow of things, Sound Unbound is about the remix—how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Miller himself considers sampling and civilization; novelist Jonathan Lethem writes about appropriation and plagiarism; science fiction writer Bruce Sterling looks at dead media; Ron Eglash examines racial signifiers in electrical engineering; media activist Naeem Mohaiemen explores the influence of Islam on hip hop; rapper Chuck D contributes “Three Pieces”; musician Brian Eno explores the sound and history of bells; Hans Ulrich Obrist and Philippe Parreno interview composer-conductor Pierre Boulez; and much more. “Press 'play,'” Miller writes, “and this anthology says 'here goes.'”
The groundbreaking music that accompanies the book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of this content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music. To receive these free music files, readers may send an email to the address listed in the book.
Contributors
David Allenby, Pierre Boulez, Catherine Corman, Chuck D, Erik Davis, Scott De Lahunta, Manuel DeLanda, Cory Doctorow, Eveline Domnitch, Frances Dyson, Ron Eglash, Brian Eno, Dmitry Gelfand, Dick Hebdige, Lee Hirsch, Vijay Iyer, Ken Jordan, Douglas Kahn, Daphne Keller, Beryl Korot, Jaron Lanier, Joseph Lanza, Jonathan Lethem, Carlo McCormick, Paul D. Miller aka DJ Spooky that Subliminal Kid, Moby, Naeem Mohaiemen, Alondra Nelson, Keith and Mendi Obadike, Hans Ulrich Obrist, Pauline Oliveros, Philippe Parreno, Ibrahim Quaraishi, Steve Reich, Simon Reynolds, Scanner aka Robin Rimbaud, Nadine Robinson, Daniel Bernard Roumain (DBR), Alex Steinweiss, Bruce Sterling, Lucy Walker, Saul Williams, Jeff E. Winner
"Synopsis" may belong to another edition of this title.
About the Author
Paul D. Miller, aka DJ Spooky, That Subliminal Kid, is a composer, multimedia artist, and writer. He is the author of Rhythm Science and Sound Unbound, both published by the MIT Press.
Erik Davis is an American journalist, critic, podcaster, counter-public intellectual whose writings have run the gamut from rock criticism to cultural analysis to creative explorations of esoteric mysticism. He is the author of Techgnosis: Myth, Magic and Mysticism in the Age of Information, The Visionary State: A Journey through California's Spiritual Landscape, and Nomad Codes: Adventures in Modern Esoterica.
Hugo Award-winning science fiction author and futurist Bruce Sterling has been called by Time "perhaps the sharpest observer of our media-choked culture working today in any genre." Three of his novels have been New York Times Notable Books of the Year, and he has been a contributing writer for Wired since its conception. In 2005 he is "Visionary-in-Residence" at Art Center College of Design, Pasadena. Bruce Sterling's blog Beyond the Beyond has been active since 2003.
Paul D. Miller, aka DJ Spooky, That Subliminal Kid, is a composer, multimedia artist, and writer. He is the author of Rhythm Science and Sound Unbound, both published by the MIT Press.
Daphne Koller is Professor in the Department of Computer Science at Stanford University.
Frances Dyson is Emeritus Professor of Cinema and Technocultural Studies at the University of California, Davis, and Visiting Professorial Fellow at the National Institute for Experimental Arts, University of New South Wales.
Douglas Kahn is Professor at the National Institute for Experimental Arts at the University of New South Wales in Sydney, Australia. He is the author of Noise Water Meat: A History of Sound in the Arts (MIT Press) and Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts and coeditor of Wireless Imagination: Sound, Radio, and the Avant-Garde (MIT Press).
B. Coleman is Assistant Professor of Writing and New Media in MIT's Program in Writing and Humanistic Studies and Comparative Media Studies. She is Faculty Director of the C3 Game Culture and Mobile Media initiative.
"About the title" may belong to another edition of this title.
Remarks Used Books
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