If It Sounds Good, It Is Good: Seeking Subversion, Transcensence, and Solace in America's Music

Manning, Richard

ISBN 10: 1629637920 / ISBN 13: 9781629637921

Published by PM Press, Oakland, Ca, 2020

About this Item

255pp. Octavo [24cm]. Black paper over boards. "Music is fundamental to human existence, a cultural universal among all humans for all times. It is embedded in our evolution, encoded in our DNA, which is to say, essential to our survival. Academics in a variety of disciplines have considered this idea to devise explanations that Richard Manning, a lifelong journalist, finds hollow, arcane, incomplete, ivory-towered, and just plain wrong. He approaches the question from a wholly different angle, using his own guitar and banjo as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy. American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, field hands, drunks, slackers, and hucksters. Yet these people poor, working people built the foundations of jazz, gospel, blues, bluegrass, rock n roll, and country music, an unparalleled burst of invention. This is the counterfactual to the academics story. This is what tells us music is essential, but by pulling this thread, Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion." From the Publisher.

Seller Inventory # 70110

Bibliographic Details

• Title: If It Sounds Good, It Is Good: Seeking Subversion, Transcensence, and Solace in America's Music
• Publisher: PM Press, Oakland, Ca
• Publication Date: 2020
• Language: English
• ISBN 10: 1629637920
• ISBN 13: 9781629637921
• Binding: Hardcover
• Edition: First Edition.
• Condition: New
• Dust Jacket Condition: New
• Seller catalogs:
  • Music

About this title

Synopsis

Music is fundamental to human existence, a cultural universal among all humans for all times. It is embedded in our evolution, encoded in our DNA, which is to say, essential to our survival. Academics in a variety of disciplines have considered this idea to devise explanations that Richard Manning, a lifelong journalist, finds hollow, arcane, incomplete, ivory-towered, and just plain wrong. He approaches the question from a wholly different angle, using his own guitar and banjo as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy.

American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, field hands, drunks, slackers, and hucksters. Yet these people—poor, working people—built the foundations of jazz, gospel, blues, bluegrass, rock ’n’ roll, and country music, an unparalleled burst of invention. This is the counterfactual to the academics’ story. This is what tells us music is essential, but by pulling this thread, Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion.

Use this book to follow where his guitar leads. Ultimately it sings the American body, electric.

About the Authors

Richard Manning is a lifelong journalist, the author of eleven books. He is a contributing editor for Harper’s magazine, was a John S. Knight Fellow in Journalism at Stanford University, and has received many awards, especially in environmental journalism. His book One Round River was named a significant book of the year by the New York Times. His work was featured in Best American Science and Nature Writing, 2010 and Best American Travel Writing of 2017.

Rick Bass is a writer and environmental activist. Bass won the Story Prize for books published in 2016 for his collection of new and selected stories, For a Little While. He was a finalist for the Story Prize in 2006 for his short story collection The Lives of Rocks. He was a finalist for the 2008 National Book Critics Circle Award (autobiography) for Why I Came West. He was also awarded the General Electric Younger Writers Award, a PEN/Nelson Algren Award Special Citation for fiction, and a National Endowment for the Arts fellowship.