Starting from Scratch

Brown, Rita Mae

ISBN 10: 0553052462 / ISBN 13: 9780553052466

Published by Bantam, New York, 1988

About this Item

Fine condition / Fine condition dust jacket.

Seller Inventory # 9016203

Bibliographic Details

• Title: Starting from Scratch
• Publisher: Bantam, New York
• Publication Date: 1988
• Language: English
• ISBN 10: 0553052462
• ISBN 13: 9780553052466
• Binding: Hardcover
• Edition: 1st.
• Dust Jacket Condition: dj
• Seller catalogs:
  • Literature
  • Book

About this title

Synopsis

From the best-selling author of  Rubyfruit Jungle and  Bingo, here is a writers' manual as provocative,  frank, and funny as her fiction. Unlike most  writers' guides, this one had as much to do with how  writers live as with mastering the tools of their  trade. Rita Mae Brown begins with a very personal  account of her own career, from her days as a young  poet who had written a novel no publisher wanted  to take a chance on, right up to her recent  adventures as a Hollywood screenwriter. In a sassy style  that makes her outspoken advice as entertaining as  it is useful, she provides straight talk about  paying the rent while maintaining the energy to  write; and dealing with agents, publishers, critics,  and the publicity circus; about pursuingj  ournalisim, academia, or screen-writing; and about rejecting  the Hemingway myth of the hard-living,  hard-drinking genius. In addition Brown, a former teacher or  writing, offers a serious examination of the  writer's tool--language, plotting, characters,  symbolism--plus exercises to sharpen the ear for dialogue,  and a fascinating, annoted reading list of  important works from the seventh century to the late  twentieth.


From the Trade Paperback edition.

From the Inside Flap

t-selling author of Rubyfruit Jungle and Bingo, here is a writers' manual as provocative, frank, and funny as her fiction. Unlike most writers' guides, this one had as much to do with how writers live as with mastering the tools of their trade. Rita Mae Brown begins with a very personal account of her own career, from her days as a young poet who had written a novel no publisher wanted to take a chance on, right up to her recent adventures as a Hollywood screenwriter. In a sassy style that makes her outspoken advice as entertaining as it is useful, she provides straight talk about paying the rent while maintaining the energy to write; and dealing with agents, publishers, critics, and the publicity circus; about pursuingj ournalisim, academia, or screen-writing; and about rejecting the Hemingw