This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. The Table of Contents lists the name of the artist(s) under the name of the critic who was responsible for their participation." (Seth Siegelaub). Section curated by David Antin: Dan Graham, Harold Cohen, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier; section curated by Germano Celant: Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penono, Emilio Prini, Pistoletto, Gilberto Zorio; section curated by Michel Claura: Daniel Buren; section curated by Charles Harrison: Keith Arnatt, Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, Victor Burgin, Barry Flanagan, Joseph Kosuth, John Latham, Reolof Louw; section curated by Lucy R. Lippard: Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme; section curated by Hans Strelow: Jan Dibbets, and Hanne Darboven. 64 pp; 31 x 24 cm Condition: fair (4 cm tear to bottom of spine, dog-ears to top and bottom right corner of recto, rubbing of cover (look at the photos) contents clean and unmarked).

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Bibliographic Details

Title: Studio International, Vol. 180, No. 924 (July / August 1970)
Publisher: London, Studio International
Publication Date: 1970
Binding: Softcover.
Edition: First edition.

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The Studio Bibliografico Giorgio Maffei specialises in original texts by twentieth century visual and literary avant-garde artists. These range from the historic publications produced in the early 1900s, to the Futurist, Dadaist, Abstract and Surrealist volumes which are now considered to be classics, to the subsequent revolutionary techniques of the second half of the century. The bibliographic research already carried out by the Studio Bibliografico offers confirmation of the importance of this area and of the fact that the entire history of modern publishing continues to offer immense research potential in all areas, covering original texts, exhibition catalogues, specialist magazines and in particular artists' books, that fertile terrain which encouraged the meeting and cross- fertilisation of many different art forms.

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Libreria Giorgio Maffei
Italy

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