Studio Recording Procedures : How to Record Any Instrument

Shea, Michael

ISBN 10: 0071422722 / ISBN 13: 9780071422727

Published by McGraw-Hill Professional Publishing, 2005

About this Item

Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Seller Inventory # GRP33949935

Bibliographic Details

• Title: Studio Recording Procedures : How to Record Any Instrument
• Publisher: McGraw-Hill Professional Publishing
• Publication Date: 2005
• Language: English
• ISBN 10: 0071422722
• ISBN 13: 9780071422727
• Binding: Soft cover
• Edition: 1st Edition.
• Condition: Good
• Weight: 1.808 pounds

About this title

Synopsis

The prices of recording equipment continue to drop dramatically, giving musicians and sound engineers increasing opportunities to make quality-level recordings. The Ultimate Guide to Music Recording takes a unique approach to this growing market, giving readers two books in one: a concise, tutorial audio engineering text in Part One, and then a ‘cut to the chase’, how to record any instrument fast guide in Part Two. By carefully cross-referencing these sections, industry vet Shea has created the ultimate recording resource: a textbook where you can see immediately how basic principles are utilized in the studio, and a “how-to” guide that comes complete with all the background technical material one could need – particularly when things don’t turn out as planned. Covering the basics of studio recording technology, recording techniques for every major class of instrument, and a masterclass on mixing, this is the most complete guide to music recording ever written.

About the Author

Mike Shea has been a leader in music recording for over 20 years. Staff Engineer at the Hit Factory in New York City in the mid-eighties when it was the leading, state-of-the-art recording facility in the world, he has built (and recorded in) numerous studios around the country. A writer for Pro Sound News, International Musician, Recording World, and The Record, he is former Technical Editor of Recording World. He teaches audio engineering at the Institute of Audio Research and lives in New York City.