(SPN) Preumed 1st edition. No markings, 1/2" tear to the top edge of the front cover and first two leaves, slight bump to botto edge of first three leaves, Good copy in Good dust jacket with 1' tear to the head of the spine extending to the back cover. Wraps with dust jacket, 112pp, colour photos throughout. Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were displayed throughout the Prado during his exhibit, as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years, Struth made more than 400 images in and around the Prado, showing an "inhabited" public space, and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work, from the spring of 2005, on Vel�zquez's great "Las Meninas" (1656), itself a classic study of spectatorship. The result is a multilayered dialogue between Struth, the Prado, its collection and its visitors. (2.6 JM LVR 201/3 Size: 4to - over 9� - 12" Tall.

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Bibliographic Details

Title

THOMAS STRUTH: Making Time

Publisher

Museo Nacional Del Prado / Turner, Spain

Publication Date

2007

Language

English

ISBN 10

8475067883

ISBN 13

9788475067889

Binding

Paperback

Edition

1st.

Condition

Good

Dust Jacket Condition

Good

Seller catalogs

Photography, Cameras, Photographers

About this title

Synopsis

Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were displayed throughout the Prado during his exhibit, as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years, Struth made more than 400 images in and around the Prado, showing an "inhabited" public space, and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work, from the spring of 2005, on Vel�zquez's great "Las Meninas" (1656), itself a classic study of spectatorship. The result is a multilayered dialogue between Struth, the Prado, its collection and its visitors.

About the Author

Thomas Struth was the first artist in residence at P.S. 1 Studios, Long Island City. From 1993 to 1996 he was Professor of Photography at the newly founded Hochschule fur Gestaltung, Karlsruhe.

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