Mark Statman’s new book of poems explores the singularly multiple worlds in which he, and all of us, love and observe, work and dream. On the edges of the intersections between metaphysical and physical spaces, the urban and rural, the reader finds, in That Train Again, a sense of language and form both precise and mysterious.

Praise for That Train Again and Mark Statman

Although the poems in Mark Statman’s lovely That Train Again break down into sections and titles, you could almost read this book as a long, sweet poetic day of meditation; earth, sky, birds, wind, wife, love, and the ways they attach to the poet, and through him, to us. A good book of poetry will urge us not to miss the fine details. Here is music to slow the pulse and re-tune the ear to what’s important.
--Cornelius Eady

Mark Statman’s spare, candid poems speak of the ways a person moves “from gold/ into blue.” That Train Again details our daily translation of “world/ into world.”
Idra Novey

What emerges for the reader/listener is the experience of one (the poet) experiencing the world—encountering, engaging with, and trying to understand its complexity. That Train Again stands firmly in the present tense (though with forays to the past via memory), joyfully so. The title is perfect—That Train Again—emphasizing the momentariness of existence, its eternal return, and its reliance on hope. I love this book.
--Pablo Medina

It’s very rare to watch the birth of a new style. It’s like watching through a new set of Proust’s kaleidoscopes. Mark Statman has been working for years on a vision of himself and parts of the city—concentrated and bare as any poetry. It’s hard to compare it to anything.
–David Shapiro

(Mark Statman’s) voice brings together historical awareness with mindful surrender for the present moment (that sometimes calls back memories from psyche’s depths). Mark Statman’s lines are maps of the wind that carry us into wonder and love.
–Aliki Barnstone

Sung through a register of gentle if unrelenting consciousness on the part of the poet that the present is always inexhaustibly on the move, Statman’s spare, concise, searching poems channel notations of experience through the visual and aural senses.
–Anselm Berrigan

Statman’s voice is a kind of spare lyricism that reminds me of the ancient Greek poets of the Anthology or the concise voicings of Antonio Machado.
—Joseph Stroud

Statman’s legit. And honest. He doesn’t try to impress with literary tricks and sleight of hand. Just good, solid poetry that keeps getting better.
—John Yamrus

Statman gives us language as commitment, commitment as imagination, imagination as soul-making.
—Joseph Lease

Mark Statman delivers the tourist’s wonder and distance in spare, deliberate music—American poetry’s grand plain style descended from William Carlos Williams to James Schuyler. Statman is a head-on poet willing to risk clarity in pursuit of the marvelous we might encounter anywhere.
–William Corbett

Mark Statman’s most recent books are two of poetry: A Map of the Winds (Lavender Ink, 2013) and Tourist at a Miracle (Hanging Loose, 2010) and two of translation: Black Tulips: The Selected Poems of José María Hinojosa (University of New Orleans Press, 2012), and, with Pablo Medina, of Federico García Lorca’s Poet in New York (Grove 2008). He is Associate Professor of Literary Studies at Eugene Lang College, the New School for Liberal Arts.