Trespassing

Book by Pickering Jr., Samuel F.

Essayist Pickering ( Let It Ride ) has the gift of enjoying the moment, whether he is rambling through the woods near his Connecticut home or chatting with his seatmate on a plane flight. The English professor (at the University of Connecticut) who was the inspiration for the character of the teacher in the film Dead Poet's Society , a fame he resents, Pickering believes that living is best defined by small details. His wry and perceptive account of daily life with his wife and three children conveys a delight in their company that endures even when conflicts arise. A keen concern for the preservation of the natural world is reflected by Pickering's absorption in flowers, birds and woods. He also carefully observes and collects facts about the people he encounters in his comings and goings and uses what he learns to enrich his understanding of humanity.
Copyright 1994 Reed Business Information, Inc.

From Pickering--English professor (Univ. of Connecticut) and reluctant inspiration for the movie Dead Poets Society--more essays that distill from life's accumulated clutter the small telling details that amuse, illuminate, and often lyrically celebrate. Like the long walks he takes in search of life forced ``under a microscope,'' Pickering's essays not only explore themes in a leisurely way but digress: He makes pithy comments on family and colleagues, relates old Southern jokes, and records the summer appearance of a milkweed plant or the amount of native raspberries recently picked. In the title essay, Pickering happily ignores a gate marked State Property--No Trespassing and goes on to confess that for years he has trespassed, ``for a closed gate is an open invitation to explore. Writers, of course, forever trespass, wandering beyond the margins of good behavior into off-limits and then converting private property into public life.'' A free- spirited trespasser, he eavesdrops on conversations in his local coffee shop and roams the fields behind his Connecticut neighbors. In ``Reading Martin Chuzzlewit'' he admits that a rare visit to a mall makes him ``imagine a hidden life, an hour tangled with ribbons and sweet red surprises'' with the women he sees there. Tempted by an invitation to interview for a college presidency in his native Tennessee, he acknowledges that although a longtime critic of college athletics, he was prepared to consider football ``too trivial to become a matter of principle and prevent me from accepting'' such a position (``Sweet Auburn''); and while closing up his father's apartment, he discovers that ``selling is infectious, raising the fervor of the seller, more than that of the buyer'' (``A Different Seller''). The jokes are often outrageously corny, the whimsy strained, but they're all part of the delight Pickering so palpably creates in this endearing celebration of the ordinary, the profound, and, most of all, the absurd. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

Pickering (Still Life, LJ 6/15/90) is a master of the familiar essay. In each of these 15 essays, he uses a general idea like the meaning of trespassing to raise concerns about teaching, writing, raising children, and being one's self. Pickering's self is occasionally smug and arrogant, but his essays are intelligent, thought-provoking, and funny. They are enlivened by anecdotes about made-up Tennesseeans and real family and friends. Word lovers will be enchanted by Pickering's detailed descriptions of everything from Christmas presents to his wife's tag sale to every bird and plant within walking distance of his home. The wonder is that such disparate people, places, events, and things can be brought together in one seamless work of art. Highly recommended.
Judy Mimken, Saginaw Valley State Univ., Mich.
Copyright 1994 Reed Business Information, Inc.

Although the movie Dead Poets Society was adapted from earlier Pickering essays, Robin Williams fans looking for more about the English teacher they never had may be nonplussed by these ones. As opinionated and lovable as ever, Pickering has little to say about his students this time. Those looking, however, for exemplary traditional essays, of which Pickering is a fine practitioner, will be delighted. He is digressive, seeming often to be searching for the theme as he writes--and that's what essay means, you know. Further, he's a good writer in all the traditional senses--energetic, observant, opposed to clich{‚}e. He can be gratifyingly analytic: "Peculiar" is one of the more illuminating essays on the craft of essay writing; it deserves to be in every essay anthology. His descriptions are, somehow, the stuff of page-turners: try "No More Study," a catalog of the contents of the university study he had to vacate. He can be personal, too, but in an indirect way that does not violate the privacy of friends and family; see "A Different Summer." Pickering's movie fans will be surprised, but pleasantly. Roland Wulbert