Viewpoints : theoretical perspectives on Irish visual texts / edited by Claire Bracken and Emma Radley

Claire Bracken and Emma Radley

ISBN 10: 1859184960 / ISBN 13: 9781859184967

Published by Cork University Press, 2013

About this Item

Fine cloth copy in a near-fine, very slightly edge-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xviii, 278 pages, illustrations (black and white); 25 cm. Notes; Includes bibliographical references and index. Subjects; Popular culture Ireland. Art and society. Civilization. In motion pictures. Irish culture. Media studies. Film history. 1 Kg.

Seller Inventory # 466910

Bibliographic Details

• Title: Viewpoints : theoretical perspectives on Irish visual texts / edited by Claire Bracken and Emma Radley
• Publisher: Cork University Press
• Publication Date: 2013
• Language: English
• ISBN 10: 1859184960
• ISBN 13: 9781859184967
• Binding: Hardcover
• Edition: First Edition.
• Weight: 1 kilogram

About this title

Synopsis

Over the last twenty years, Ireland has undergone significant transformation and, as a consequence, notions of Irish identity and nationality have been in constant flux. For this reason, it is a timely moment to consider visual representations, both past and present, of Irish cultural life, and contribute to conversations about questions such as: What kind of iconic currencies does Ireland have? How should we see them? Are there specific ideological frameworks operating when we imagine Ireland? Can we imagine Irishness differently?



Viewpoints explores the ways in which visual texts engage with questions of Irish culture, and the manner in which those texts are received, circulated, and consumed. By way of recourse to a range of theoretical positions that include feminism, psychoanalysis, phenomenology, philosophy, and queer theory, the collection presents multiple and variegated perspectives on Irish texts, culture, society, and life. With essays on theories of visualization and early Irish photography, adaptation and memory in the diasporic image, identities in Irish photographic art, the advertising of therapeutic wellness sites, as well as essays which read and focus on Irish film and television differently, this book brings new critical readings to how we see Irish culture.

About the Authors

Claire Bracken is at the English Department, Union College, Schenectady, New York.

Emma Radley is at the UCD School of English, Drama and Film, University College Dublin.