Watchfiends & Rack Screams: Works From the Final Period

Artaud, Antonin; Ed. & Trans. By Clayton Eshleman & Bernard Bador

ISBN 10: 1878972189 / ISBN 13: 9781878972187

Published by Exact Change, 1995

About this Item

Softcover original 1995 1st Printing of this paperback original with date to title page, no remainder or other markings, a pristine new copy of the uncommon first printing; 8vo; 342pp.

Seller Inventory # 29090

Bibliographic Details

• Title: Watchfiends & Rack Screams: Works From the Final Period
• Publisher: Exact Change
• Publication Date: 1995
• Language: English
• ISBN 10: 1878972189
• ISBN 13: 9781878972187
• Binding: Soft Cover
• Edition: First Edition.
• Condition: New
• Seller catalogs:
  • Drama / Plays / Acting / Theater
  • Poetry
  • Fiction / Literature

About this title

Synopsis

Including the fabled text “To Have Done with the Judgment of God,” this collection compiles the scatalogical writings of Artaud's final years

Clayton Eshleman's translations are the finest and most authentic which have yet been made from Artaud's writing. Artaud's final work is his strongest and most enduring, and this collection has been wisely selected and magnificently realized. Artaud is being taken into the 21st century." –Stephen Barber

Among Antonin Artaud's most brilliant works are the scatological glossolalia composed in the final three years of his life (1945–48), during and after his incarceration in an asylum at Rodez. These represent some of the most powerful outpourings ever recorded, a torrent of speech from the other side of sanity and the occult. In this collection, the most complete representation of this period of Artaud's work ever presented in English, and the first new anthology of Artaud published in the US since Helen Weaver's 1976 Selected Writings, cogent statements of theory are paired with the raving poetry of such pieces as “Artaud the Momo,” “Here Lies” and “To Have Done with the Judgment of God.” These are translated with drama and accuracy by Clayton Eshleman, whose renditions of Vallejo and Césaire have won widespread acclaim, including a National Book Award.

Reviews

In French poetic thinking, Artaud is one of the so-called poetes maudits, those cursed creators, whose immediate predecessors were Rimbaud and Baudelaire. Artaud, the writer-dramatist-actor, has been, in spite of his weird, violent, incendiary style, a visionary and a seminal influence on French avant-garde circles. Eshelman and Bador present in this anthology a sufficiently representative quantity of Artaud's writings, including two influential letters, poems, and a short essay on his drawings, all from the period 1945 to 1948. The poems, "Artaud the Momo" (slang for "fool") and "Here Lies," written during and following his incarceration in an asylum, reconstruct his mental state. There is little doubt that his poems contain an element of masterful madness, reflecting his inner complexities and what he has endured. His last work, "To Have Done with the Judgment of God," is a showcase of Artaud's tremendous literary talent. The bilingual presentations and the lucid introduction prove helpful. Recommended for literary collections.?Ali Houissa, Cornell Univ., Ithaca, N.Y.
Copyright 1995 Reed Business Information, Inc.