Wild Card, The : Selected Poems, Early and Late

Shapiro, Karl

ISBN 10: 0252066898 / ISBN 13: 9780252066894

Published by University of Illinois Press 1998-06-01, US, 1998

About this Item

191 pages. Light edgewear to wrappers with slight creasing to spine. Record # 464956.

Seller Inventory # 464956

Bibliographic Details

• Title: Wild Card, The : Selected Poems, Early and Late
• Publisher: University of Illinois Press 1998-06-01, US
• Publication Date: 1998
• Language: English
• ISBN 10: 0252066898
• ISBN 13: 9780252066894
• Binding: Soft cover
• Edition: 1st Edition
• Condition: Good
• Dust Jacket Condition: None

About this title

Synopsis

Karl Shapiro, who won the Pulitzer Prize in Poetry in 1945 for his second collection, V-Letter and Other Poems, is an American poetic treasure and an acknowledged master of lyrical poetry whose subjects have ranged from commonplace objects and occurrences to biting political commentary to open celebrations of the contradictions in humanity's moral nature.

Reviews

Shapiro's influential poems of the 1940s and '50s applied Audenesque techniques and his own metrical facility to then-contemporary, even shocking, subjects: Army life during WWII, when Shapiro served in the Pacific; "Auto Wreck" ("We are deranged, walking among the cops/ Who sweep glass and are large and composed"); a university where "To hurt the Negro and avoid the Jew/ Is the curriculum"; and a soda-fountain "Drug Store" where "the attractive symbols/ Watch over puberty and leer." More than half of this selection draws on those poems, including the Pulitzer-winning V-Letter (1944) and the meditations on American Jewish identity that culminated in Poems of a Jew (1958). The half autobiographical prose-poem series The Bourgeois Poet (1964)?well represented here?gave Shapiro his most individual, most aggressive style, one part Whitman, three parts Philip Roth: "The kitchens of my neighbors are like cars: what gleaming dials, what toothy enamels, engines that click and purr, idling the hours away." Early and late, the poems dwell on social meanings, groups, and types ("The Southerner," "The Conscientious Objector," "The Old Guard") judging and challenging whatever Shapiro views as orthodoxy. The appealingly unceremonious latest poems declare Shapiro's love for his wife, or commemorate poets from Auden to Mozart's librettist Da Ponte. If Shapiro no longer seems as imposing a poetic presence as he once did (though the prefaces help us reimagine his heyday), this selection reminds us that he has for decades thought and felt honestly about poetry, history, society and family, and is a rewarding sampling of the work that thought has produced.
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