Writing a Book That Makes a Difference

Gerard, Philip

ISBN 10: 1884910440 / ISBN 13: 9781884910449

Published by Story Pr (edition First Edition), 2000

About this Item

With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Seller Inventory # 1884910440-7-1-29

Bibliographic Details

• Title: Writing a Book That Makes a Difference
• Publisher: Story Pr (edition First Edition)
• Publication Date: 2000
• Language: English
• ISBN 10: 1884910440
• ISBN 13: 9781884910449
• Binding: Hardcover
• Edition: First Edition.
• Condition: Fair
• Dust Jacket Condition: Dust Jacket Included

About this title

Synopsis

Why did Frank McCourt's Angela's Ashes, a memoir of his poverty-stricken childhood, touch millions? Why did John Steinbeck's The Grapes of Wrath and Upton Sinclair's The Jungle incite social change and become literary classics? Why did Sebastian Yunger's real-life adventure A Perfect Storm leap onto the bestseller list? In this book, Philip Gerard analyzes books that made a difference-fiction and nonfiction, classic and contemporary-distilling out the elusive ingredients that make a work memorable, one that changes our minds and our lives. Beginning with the importance of choosing powerful subjects and themes, Gerard encourages writers to explore what is closest to their hearts. He then presents dozens of practical storytelling strategies that engage readers and move them- to tears and laughter, or to action. As in his much-praised Creative Nonfiction, Gerard's instruction is always accessible and a pleasure to read. Anyone who dreams of writing a book that makes a difference will come away with a clear understanding of what it takes to succeed.

About the Author

Philip Gerard is the author of three novels, most recently Desert Kill, and a memoir, Brilliant Passage. He is also the author of Creative Nonfiction, published by Story Press. His fiction and creative nonfiction have appeared in numerous magazines, and his radio essays are heard regularly on National Public Radio's All Things Considered. He is the director of the creative writing program at the University of North Carolina at Wilmington.