Writing the Pre-Raphaelites: Text, Context, Subtext

Giebelhausen, Michaela and Tim Barringer (eds)

ISBN 10: 0754657175 / ISBN 13: 9780754657170

Published by Ashgate, Farnham, 2009

About this Item

A near fine copy in a similar dust jacket, of the first edition of this collection of scholarly essays on the Pre-Raphaelites. Dust Jacket: purple laminated paper with black and white illustration to front and white lettering to all faces; very clean and bright; no visible signs of shelf wear; not clipped (now protected). Cover: black cloth covered boards with silver lettering to spine; very clean and bright; no visible signs of shelf wear. Internally: very clean and tightly bound; no markings, inscriptions or book plates; looks unread. Illustrated throughout in black and white. xiv, 266 pp.

Seller Inventory # 003043

Bibliographic Details

• Title: Writing the Pre-Raphaelites: Text, Context, Subtext
• Publisher: Ashgate, Farnham
• Publication Date: 2009
• Language: English
• ISBN 10: 0754657175
• ISBN 13: 9780754657170
• Binding: Cloth
• Edition: 1st Edition
• Condition: Near Fine
• Dust Jacket Condition: Near Fine
• Weight: 400 grams
• Seller catalogs:
  • Art
  • Edmonds
  • History

About this title

Synopsis

This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.

About the Author

Dr Michaela Giebelhausen is based at the University of Essex, UK.

Tim Barringer is Paul Mellon Professor in the History of Art at Yale University, USA.