Writing on the Wall: Word and Image in Modern Art

Morley, Simon

ISBN 10: 0520241088 / ISBN 13: 9780520241084

Published by University of California Press, Berkeley, CA, 2003

About this Item

Cloth, 224 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Light edgewear to boards (tips mildly bumped). Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art. Indeed, with many contemporary works, only those without text are remarkable. Exploring the strange, unsettling, and often humorous results when words escape their traditional confines and inhabit artworks, this book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day. Simon Morley traces the growing bond between word and image, explaining how artists have harnessed the resulting tension to form identities, challenge authority, and make sense of a world in constant change. Writing on the Wall discusses familiar movements from the Impressionists to the present day, focusing on many works of modern art such as Dada nonsense words, Surrealist painting-poems, Constructivist typographies, oriental calligraphy, postwar gestural painting, and much more. As he considers these works, Morley reveals how artists have responded to an environment increasingly saturated with words, and also asks how the mass media have adopted and adapted artistic devices in propaganda, typography, and advertising. The book ends with a look at current developments in the world of hypertext, where word and image have at last found an essential unity. / Simon Morley is an artist, curator and lecturer. After studying at Oxford University he lived and trained as an artist in Italy, the United States, and finally at Goldsmiths College, London. He teaches at the Sotheby's Institute of Art, London, and has exhibited his work internationally." - Publisher. *** CONTENTS: Introduction: Words and Pictures; Grand Bazar Universel: Impressionist Words; Merahi Metua No Tehamana: Symbolist Words; KUB: Cubist Words; Parole-in-liberty: Futurist Words; L.H.O.O.Q.: Dada Words; Futura : Constructivist Words; L'alphabet des reves: Surrealist Words; Beat the Whites with the Red Wedge: Words and Power; Writing Degree Zero: Post-War Words; Intermedia: Neo-Dada Words; Coca-Cola: Pop Words; Art as Idea as Idea: Conceptual Words I; A Heap of Language: Conceptual Words II; The Prison-House Of Language : Postmodern Words; Creolization: Millennial Words; Epilogue: Hypertexts and Future Words. Size: 4to.

Seller Inventory # 030088

Bibliographic Details

• Title: Writing on the Wall: Word and Image in Modern Art
• Publisher: University of California Press, Berkeley, CA
• Publication Date: 2003
• Language: English
• ISBN 10: 0520241088
• ISBN 13: 9780520241084
• Binding: Hardcover
• Edition: 1st.
• Condition: Near Fine
• Dust Jacket Condition: Fine
• Book Type: Collectible
• Seller catalogs:
  • European::8. Modern, 1900-1945
  • USA::6. Late Modern, 1945-1999
  • Movements::Conceptual Art
  • XXX::COLLECTIBLES
  • XXL::Extra Extra Large

About this title

Synopsis

From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art. Indeed, with many contemporary works, only those without text are remarkable. Exploring the strange, unsettling, and often humorous results when words escape their traditional confines and inhabit artworks, this book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day.

Simon Morley traces the growing bond between word and image, explaining how artists have harnessed the resulting tension to form identities, challenge authority, and make sense of a world in constant change. Writing on the Wall discusses familiar movements from the Impressionists to the present day, focusing on many works of modern art such as Dada nonsense words, Surrealist painting-poems, Constructivist typographies, oriental calligraphy, postwar gestural painting, and much more. As he considers these works, Morley reveals how artists have responded to an environment increasingly saturated with words, and also asks how the mass media have adopted and adapted artistic devices in propaganda, typography, and advertising. The book ends with a look at current developments in the world of hypertext, where word and image have at last found an essential unity.

About the Author

Simon Morley is an artist, curator and lecturer. After studying at Oxford University he lived and trained as an artist in Italy, the United States, and finally at Goldsmiths College, London. He teaches at the Sotheby's Institute of Art, London, and has exhibited his work internationally.