Truly a classic, A GUIDE TO DRAWING, Fifth Edition builds on the idea that mastery of traditional skills is fundamental to expressive drawing. It allows beginning, advanced and specialized drawing students to master basic skills and to use them creatively, whether working under the direction of an instructor or on their own. Perspective receives the most systematic and thorough treatment available in any drawing textbook. Nearly 400 master drawings (with 13 color plates) represent many periods, techniques and subject matters, filling the need to integrate art history with studio experience. Over 170 valuable studio projects promote understanding of the material, technical comptence, and control and confidence in both beginning and advanced students. Sketchbook activities in most chapters encourage a spontaneous approach to drawing and seeing when students are working outside the structured classroom or studio environment. Illustrations for both the part and chapter openers by Duane Wakeham.

About the Author

David L. Faber is an American master printmaker and Professor of Art and Head of Printmaking at Wake Forest University where he has taught since 1984. He is the lead-author of A GUIDE TO DRAWING. Faber has had 22 solo exhibitions of his work since 1976 and has exhibited in numerous group and invitational exhibitions since 1974. He has lectured and worked as a guest artist in Canada, England, Germany, Italy, and South America. Some of his most notable works include: the Aberdeen Headlands series of chine colle monotypes; the Holstein Poetry-Catenary Curve series of intaglio prints; Saint Anna of Silos and Air; the Germans in Brazil series of lithographs produced in Sao Paulo, Brazil at Ymagos Atelier; the Red Holstein Factor series of plaster-cast intaglio prints; and the Piano Sheaves series of intaglio prints. Among Faber's most practiced printmaking techniques are intaglio, lithography, monotype, and plaster-cast intaglio prints. He specializes in drypoint, engraving, mezzotint, and etching techniques. His prints are held in the permanent collections of The Corcoran Gallery of Art, Washington, DC, The National Gallery of Art, Washington, DC, The Metropolitan Museum of Art, New York, The San Francisco Museum of Modern Art, The National Art Museum of the Ukraine in Kiev, The U.S. State Department, Washington, DC, and The American Bar Association, Chicago.

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