Master storyteller Stephen King’s classic, terrifying #1 New York Times bestseller of what happens when the barrier between our world and that of the supernatural is breached.
After a terrible construction site accident severs Edgar Freemantle’s right arm, scrambles his mind, and implodes his marriage, the wealthy Minnesota builder faces the ordeal of rehabilitation, all alone and full of rage. Renting a house on Duma Key—a stunningly beautiful and eerily undeveloped splinter off the Florida coast—Edgar slowly emerges from his prison of pain to bond with Elizabeth Eastlake, a sick, elderly woman whose roots are tangled deep in this place. And as he heals, he paints—feverishly, compulsively, his exploding talent both a wonder and a weapon. For Edgar’s creations are not just paintings, but portals for the ghosts of Elizabeth’s past…and their power cannot be controlled…
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Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes Never Flinch, the short story collection You Like It Darker (a New York Times Book Review top ten horror book of 2024), Holly (a New York Times Notable Book of 2023), Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
It’s Stephen King, so we can dispense with the introductions. With Duma Key, the horror master returns to his bread and butter after a moderately successful departure in the character study Lisey’s Story (HHH Jan/Feb 2007). The latest effort is clearly autobiographical—most readers will remember King’s near-death experience when struck by a vehicle on a Maine highway in 1999—and the lingering physical and psychological effects of that accident figure prominently here. The book, which comes to us in Freemantle’s voice and runs its course in languid passages that only a writer of rare talent (and with nothing left to prove) might get away with, is also a meditation on the power of art and its discontents. The supernatural elements in Duma Key find King working at full throttle, with just a few pitchy parts.
Copyright © 2004 Phillips & Nelson Media, Inc.
In bestseller King's well-crafted tale of possession and redemption, Edgar Freemantle, a successful Minnesota contractor, barely survives after the Dodge Ram he's driving collides with a 12-story crane on a job site. While Freemantle suffers the loss of an arm and a fractured skull, among other serious injuries, he makes impressive gains in rehabilitation. Personality changes that include uncontrollable rages, however, hasten the end of his 20-year-plus marriage. On his psychiatrist's advice, Freemantle decides to start anew on a remote island in the Florida Keys. To his astonishment, he becomes consumed with making art—first pencil sketches, then paintings—that soon earns him a devoted following. Freemantle's artwork has the power both to destroy life and to cure ailments, but soon the Lovecraftian menace that haunts Duma Key begins to assert itself and torment those dear to him. The transition from the initial psychological suspense to the supernatural may disappoint some, but even those few who haven't read King (Lisey's Story) should appreciate his ability to create fully realized characters and conjure horrors that are purely manmade. (Jan. 22)
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