Items related to Alice Sit-By-The-Fire
Synopsis
One would like to peep covertly into Amy's diary (octavo, with the word 'Amy' in gold letters wandering across the soft brown leather covers, as if it was a long word and, in Amy's opinion, rather a dear). To take such a liberty, and allow the reader to look over our shoulders, as they often invite you to do in novels (which, however, are much more coquettish things than plays) would be very helpful to us; we should learn at once what sort of girl Amy is, and why to-day finds her washing her hair. We should also get proof or otherwise, that we are interpreting her aright; for it is our desire not to record our feelings about Amy, but merely Amy's feelings about herself; not to tell what we think happened, but what Amy thought happened. The book, to be sure, is padlocked, but we happen to know where it is kept. (In the lower drawer of that hand-painted escritoire.) Sometimes in the night Amy, waking up, wonders whether she did lock her diary, and steals downstairs in white to make sure. On these occasions she undoubtedly lingers among the pages, re-reading the peculiarly delightful bit she wrote yesterday; so we could peep over her shoulder, while the reader peeps over ours.
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About the Author
J.M. Barrie was born in 1860, the ninth of ten children of hard-working parents in Scotland's jute-weaving industry. Fascinated by stories of her own life told him by his mother, he was determined to write, finding work on the Nottingham Journal after graduating from Edinburgh University. In 1885, he moved to London as a freelance writer and successfully sold the Auld Licht Idylls, a volume based on his mother's tales. By the time Peter Pan opened on the London stage in 1904, Barrie had written more than thirty novels and plays, many autobiographical and several of them major hits such as The Little Minister, Quality Street and The Admirable Crichton. Knighted and awarded the Order of Merit he continued writing into old age. He died in 1937.
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