A popular history of the decade after Waterloo finds in it the seeds of the modern world, such as the establishment of constitutional democracy, international law, and other new ideas
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In 1815, on the eve of Napoleon's defeat at Waterloo, reactionaryism seemed triumphant everywhere, but by 1830 a decisive shift toward democracy had occurred. In the intervening 15 years, contends Johnson ( Modern Times ), the matrix of the modern world was formed: the U.S. became a global power, Russia expanded rapidly, Britain penetrated Arabia and the Middle East, Latin America threw off Spain's yoke, and an international order which would endure for a century took shape. This marvelously readable, vivid, immensely illuminating 1120-page chronicle of the epoch of Andrew Jackson, Wordsworth, Goya, Faraday, Beethoven and Bolivar is filled with startlingly original, provocative observations. For example, Johnson draws parallels between the destruction of Native Americans in the U.S. and Russia's genocide of Central Asian nomadic peoples. He also argues that Chinese opium addiction was not "a disease transmitted by the British" but the home-grown malady of an archaic society.
Copyright 1991 Reed Business Information, Inc.
A gargantuan panorama of the 15 transforming years immediately after the Napoleonic era, when ``peace came and immense new resources in finance, management, science and techology which were now available could be put to constructive purposes.'' Johnson (Intellectuals, 1989; A History of the Jews, 1987, etc.), a past editor of the New Statesman and the Spectator, is a master of vigorous narratives on epic topics. Astoundingly, he writes with fascination about events and movements in virtually all fields of human endeavor, whether the subjugation of Native Americans by Andrew Jackson, the scientific discoveries of Humphrey Davy, the compositions of Beethoven, the transparent innovations of George Stephenson and John McAdam, or such social phenomena as dueling, adultery, illegitimacy, and animal protectionism. He also throws an unexpected light on how artists and scientists formed a ``conjunction of minds'' by drawing on work in other fields (e.g., how intuitive speculations by Coleridge and Shelley about atomic and electromagnetic theory inspired the experimental science of Davy and Michael Faraday). Johnson's narrative and analytical skills even compensate for many dubious passages when his conservatism leads him to stretch for parallels between 19th- and 20th-century politics--for example, when he sees the genesis of the US-British ``special relationship'' at a moment when both nations continued to be wary of the other's attention, or likens Romantic admirers of Napoleon such as Shelley, Hazlitt, and Byron to intellectuals enamored of Stalinism in the 1930's. Maddeningly long and highly opinionated, but a lively and readable history of a world ``exhilarated and sometimes bewildered by the rapid changes which were transforming it.'' (Sixteen pages of photographs--not seen.) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
Johnson is the author of several wide-ranging historical narratives. His best known is probably Modern Times ( LJ 5/1/83), and his most recent is Intellectuals (HarperCollins, 1988). This literally weighty but lively tome argues for the years 1815-30 as "those during which the matrix of the modern world was formed," citing developments like the rise of democracy and the separation of science from the broader culture. Johnson leaps from country to country, from politics to art to literature to medicine, in a fashion that makes for better browsing than consecutive reading. Not essential for smaller collections, but larger ones will want to continue to acquire the provocative Johnson output. Previewed in Prepub Alert, LJ 2/1/91.
- Nancy C. Cridland, Indiana Univ. Libs., Bloomington
Copyright 1991 Reed Business Information, Inc.
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