Divorced and estranged from her grown daughters, Candida Wilton moves to a run-down flat well below her means and finds exhilaration in her self-imposed poverty, during which she confides her thoughts to a computer and makes friends with new peers. Reader's Guide available. 35,000 first printing.
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The narrator of Drabble's teasingly clever new novel, like several of her fictional predecessors (in The Witch of Endor and The Peppered Moth) is a lonely, middle-aged woman disillusioned with her life and wary about her future. Betrayed and divorced by her husband, the smug headmaster of a school in Suffolk, and estranged from her three grown daughters, Candida Wilton moves to a flat in a rundown, slightly dangerous London neighborhood. To fill her days, she takes a class in Virgil, until the adult-ed building is taken over by a health club, which she joins for lack of anything better to do. The first section of the narrative is Candida's computer diary, in which she tries to make sense of the circumstances that have led her to this narrow place in her life, and her tentative efforts to reach out and make new friends. Though she apologizes for "the bleating, whining, resentful, martyred tone I seem to have adopted," Candida's account has the fresh veracity of someone who's a newcomer to London and to the state of being single. While Drabble paints her as sexually cold and maternally reserved, given to French phrases and snobbish assessments, Candida is a character the reader grudgingly admires as she tries to maintain hope that she can turn her life around. Then a small miracle occurs. A financial windfall allows her to take some of her fellow Virgil aficionados and two old friends on a trip to Tunis and Sicily, following the footsteps of Aeneas. Candida learns more about her companions as the trip progresses and gains some insights into her own behavior. The narrative takes several surprising turns, throwing the reader as off-center as Candida has become and proving that Candida herself has not been candid. But Drabble has: Candida's evasive account accurately charts the psychological territory of one who is suddenly cast adrift.
Copyright 2002 Reed Business Information, Inc.
Drabble returns with another novel featuring an intelligent woman facing late middle age alone. Like the protagonists of The Peppered Moth and The Witch of Exmoor, Candida Wilton finds herself in a sad predicament partially of her own making. Although the divorce following her headmaster husband's betrayal was shattering, Candida's subsequent estrangement from her daughters has roots in her rather cold personality, and it was wholly her choice to move from her Suffolk home to a seedy section of London. Naturally reserved and more than a little snobbish, she nevertheless struggles to build a new life, recording her progress in a laptop computer diary (in which Candida reveals herself as the least candid of narrators). A sudden change in finances sends Candida to Tunisia and Italy, following the journeys of Virgil's Aeneas in the company of six spiritual "sisters," which leads to unexpected plot twists. The author's clever observations and well-crafted prose move the narrative along and manage to sustain reader interest in, and even arouse sympathy for, a character who describes herself accurately as having "much to be ashamed about." For most fiction collections.
--Starr E. Smith, Fairfax Cty. P.L., VA
Copyright 2002 Reed Business Information, Inc.
Drabble's shrewd and charming diarist-narrator escaped the prison of her unhappy marriage after the death of a student led to exposure of her head-master husband's affair with the girl's mother. Candida chooses not to stay in Suffolk and strangle in the web of gossip but rather to purchase a condo in a not altogether safe yet intriguingly multicultural London neighborhood. There she determinedly explores her new world and signs up for a class on Virgil's Aeneid. When the College for Further Education is transformed into a health club, she misses Virgil and the simpatico company of her fellow students and instructor. So she reconvenes the group, adds two demanding friends from her previous life, and convinces "the seven sisters" to embark on a pilgrimage to retrace the steps Virgil took in his tracking of Aeneas. And what a transforming journey it is. Drabble's prose is lustrous and enchanting, and her play on classical themes adds dimension to her discerning assessment of our digitized, global society, and the metamorphosis of a woman poised not for the expected capitulation to age and isolation but, rather, for splendid renewal. As in The Witch of Exmoor (1997) and The Peppered Moth [BKL F 15 01], Drabble creates a subversively witty novel that rivals works by Anita Brookner, Margaret Atwood, and Penelope Lively. Donna Seaman
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