The story of how the concept of a pantheon, a building honouring great individuals, spread across Revolutionary Europe and interacted with socio-political and cultural changes. Analysing the canon and iconography of each pantheon, Bouwers shows how the commemoration of war and celebration of nationhood gave way to the protection of elite interests.
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EVELINE G. BOUWERS Postdoctoral Research Fellow at Bielefeld University, Germany. Her current research focuses on the use of violence and iconoclasm in the culture wars of modern Europe. She studied history, art history, and political science in Utrecht, Leuven and Amsterdam and holds a PhD from the European University Institute.
“The role of historical memory in modern culture and the politics of commemoration have become of immense importance to historians over recent years. ... Eveline Bouwers’s book makes a fascinating, richly-documented and well-written contribution to this area of debate. ... Well-written, with a good eye for detail and the telling quotation from primary sources, Bouwers’s important contribution to the scholarship of historical memory will be of great interest to anyone working on nineteenth-century political culture, national identity and the politics of remembrance.” (Michael Rapport, English Historical Review HER, Vol. 131 (548), February, 2016)
“There is a great deal in this very impressive and accomplished book to recommend it to both scholars and students. Bouwers operates with enviable assurance in four very different historical contexts (and languages), her interdisciplinary approach is cogent, and her case studies are very informative.” (Richard Wittman, European Review of History - Revue européenne d'histoire, Vol. 22 (06), 2015)
“Covering four nations and four languages, this thought-provoking, ambitious and impressively researched work offers an insightful comparative and transnational study of ‘cultures of remembrance’ in Europe during the age of revolutions. ... Bouwers’s erudite comparative and transnational study forms a noteworthy addition to the literatures on modern cultures of remembrance, collective memory, and ultimately also national identity (including its limits).” (Brian Vick, German History, Vol. 32 (3), September, 2014)
“As a transnational phenomenon, pantheon construction merits attention by anyone interested in the notion of “Europe” in the Enlightenment and revolutionary eras. In her recent book, Eveline Bouwers focuses attention on the relationships among British, French, Italian, and German pantheons. Working with admirable multilingual facility, Bouwers draws on sources from each national context.” (Susan A. Crane, Journal of Modern History, Vol. 86 (1), March, 2014)
“The Revolution translated into practice the promises of the century that gave birth to it: replacing the eulogy of sovereigns with the memory of great writers, artists, scientists. ... It is here that a comparative European history enables to shift the perspective. ... Each case is well documented and skillfully studied. This is particularly profitable for her discussion of the Roman and Bavarian episodes, which are less well-known.” (Translated from French, Antoine Lilti, Annales: Histoire, Sciences Sociales, Vol. 69 (1), March, 2014)
“Showing impressive linguistic versatility Bouwers compares pantheons in France, England, Italy and Germany using an interdisciplinary and comparative framework to prove her central thesis that the four pantheons studied in this book were ‘partisan interpretations of a selectively retrieved past’. ... the beauty and value of this book is its identification of trans-European trends while at the same time juxtaposing the differences and national quirks and approaches” (Anne O’Connor, Modern Italy, Vol. 18 (04), November, 2013)
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Hardcover. Condition: Good. 1st Edition. Hardcover, xv + 325 pages, NOT ex-library. Gentle wear, pages are clean and bright throughout, with unmarked text, free of inscriptions and stamps, firmly bound. Boards show short creases to edges, scuffed tips of lower outer corners. Issued without a dust jacket. -- The story of how the concept of a pantheon, a building honouring great individuals, spread across Revolutionary Europe and interacted with socio-political and cultural changes. -- Contents: Introduction: The Journey of the European Pantheonic Imagination; 1. Pantheon: The History of a Concept on the Move [Origins of Pantheon; Viris illustribus as a Political Category; Transformations of the 18th-Century World ('Et in Arcadia Ego': The Classical Tradition; Royal Absolutism and the Rise of a Middle Class; Religion and Church Power in the Eighteenth Century; Changing Perspectives on Death; Rise of Romantic Nationalism); Discourse on Great Men Prior to the French Revolution (Domestic Pantheons: Gardens; Libraries and the Mantelpiece); Public Monuments in Pre-Revolutionary Europe; Semantic Changes: 'Pantheon' in Contemporary Lexicons]; 2. Competition in the Parliamentary Pantheon in London ['Robbing Peter to pay Paul': From Westminster Abbey to St Paul's Cathedral; Memento mori: Or on the Establishment of Parliament's Pantheon; Pantheon Established: The Revolutionary Years (An Anglo-Scottish Pantheon?); Pantheon Extended: Between Trafalgar and Waterloo (Negotiating the Memory of 'Saint Nelson'; Contending for Political Leadership; Parliament's Pantheon: Secular Patriotism; Dimensions of Greatness: Merit and Empire); Peninsular War: A 'Democratisation' of the Parliamentary Pantheon; Britannia Triumphant? The Pantheon Expired; Parliamentary Pantheon: An Elite Remembers Itself]; 3. Eclipse of Exemplarity: The Imperial Pantheon in Paris [Revolutionary Panthéon: A Critique on Patriotism?; Private Origins of the Imperial Pantheon; Ascent of Empire: Sainte-Geneviève's Baptism (Protestants in a Catholic Church); Militarisation of the Imperial Pantheon (A Rival Hero? The Pantheonisation of Jean Lannes; Pantheon of Officers at the Invalides); Combining the Sacrosanct with the Secular (Cardinals in the Pantheon; Sacralising the Commemorative Space; Meaning: The Imperial Pantheon and Political Culture); Disintegration: Louis XVIII and the Last Imperial Inclusions]; 4. A Papal Pantheon? Canova's 'Illustrious Italians' in Rome [Antonio Canova and the European Pantheonic Imagination; Antonio Canova: A Papal Pantheon of Artists (Comparisons: Canova's Pantheon and Its Literary Context); From Pantheon to Museum: The Protomoteca Capitolina (Legacy of Canova's Pantheon)]; 5. 'National Education' in a Royal Pantheon in Regensburg [Struggle for the Nation: A Catholic King and Bildungsbürgertum (Ludwig I of Bavaria: The 'Most German Prince'); Inspiration and Selection for a 'German' Pantheon (Selection Criteria: The Legacy of Johannes von Müller); Prince's Genossen: A Dynamic Community (Ancient Worthies: Germanic Tribes, Anglo-Saxon Saints, and Frankish Kings); 'Germanic Classicism': Uniting the Pagan and Christian Heritages (Final Design for the Walhalla; Between Caucasus and Bräuberg: Visualising the Longue Durée); Royal Walhalla (Walhalla: A National Monument?; Walhalla's Legacy in German Political Culture)]; Conclusions: Public Pantheons: A European History? [Synopsis of the Case Studies; Mechanism of Reproducing Elite Power; A Multiplicity of Narratives: A Critique on a European History?]; Appendices [A: Westminster Abbey and St Paul's Cathedral (London), 1793?1823; B: Panthéon / Sainte-Geneviève and Invalides (Paris), 1791?1815; C: Pantheon (Rome), 1809?1820; D: Walhalla (Donaustauf), 1807?1842]; Notes; Bibliography; Index. Seller Inventory # 007093
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Condition: New. The story of how the concept of a pantheon, a building honouring great individuals, spread across Revolutionary Europe and interacted with socio-political and cultural changes. Analysing the canon and iconography of each pantheon, Bouwers shows how the commemoration of war and celebration of nationhood gave way to the protection of elite interests. Series: War, Culture and Society, 1750-1850. Num Pages: 340 pages, biography. BIC Classification: 1D; 3JH; HBJD; HBLL; HBTB. Category: (P) Professional & Vocational. Dimension: 146 x 219 x 24. Weight in Grams: 550. . 2012. Hardcover. . . . . Seller Inventory # V9780230294714
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