At the time of the great tulip speculation of the 1630s in Holland, the most desirable tulip bulbs were auctioned for more money than the most expensive houses in Amsterdam. At the same time flower paintings which were remarkable for their apparent realism were produced all over Holland and purchased by Dutch families as enduring substitutes for the real thing. This beautiful book reveals the fascinating genesis and growth of a whole genre of paintings that has rarely been studied.
Paul Taylor begins by discussing Holland's 'tulipomania' and its effect on the way people thought about floral still lifes. He then considers the religious messages associated with the flower paintings, exploring how religious writers spoke of flowers as moral signposts from God and how some flower paintings were meant to remind viewers of the transience of earthly existence. Flower paintings were not bought only as records of luxury objects or for moral edification, however. They were also enjoyed as works of art, as masterpieces of illusion, composition and colour harmony, so Taylor analyses the art-theoretical writings of the time in order to understand how artists and connoisseurs responded to flower pieces. He concludes by analysing the paintings themselves, tracing the development and refinement of the actual practice of flower painting.
"synopsis" may belong to another edition of this title.
This scholarly work examines 17th-century Dutch flower painting within the contexts of symbolism, political and economic events, religion, art criticism, and the art market. Detailed discussions use 17th-century sources to explore the significance of these paintings to their cultural contemporaries. Attractive reproductions, most of them in color, serve to illustrate the points that are made in the text. Interested lay readers are likely to enjoy the reproductions and discussions of individual painters. Because much of the book concentrates on fairly narrow interpretive issues, however, it will be of primary interest to scholars and students of the period. Recommended for specialized collections.?Kathryn Wekselman, MLn., Cincinnati
Copyright 1995 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
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hardcover. Condition: Good. Dust Jacket Condition: very good. A very good hardcover in a very good dust jacket. No markings. Seller Inventory # mon0000785525
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Hardcover. Condition: Very Good. Dust Jacket Condition: very good. Unmarked. Dust jacket (unclipped) under clear mylar cover. Extensively illustrated with gorgeous color plates. This beautiful book reveals the fascinating genesis and growth of Dutch flower painting. Paul Taylor discusses Holland`s "tulipomania" and its effect on the way people thought about floral still lifes, considers the aesthetic and religious meanings of these paintings, and concludes by analyzing the paintings themselves, tracing the development and refinement of the actual practice of flower painting. Measures 10x11 inches. Notes. Bibliographic references. Index. 227pp. Seller Inventory # 32853
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