Edouard Vuillard, one of the great post-impressionists, is especially loved for his small easel paintings that capture the charm and mystery of everyday life. Yet at the same time that he was making his name as an "intimist" artist, he was also creating a number of large-scale canvases, panels, and screens commissioned to decorate the homes of his patrons and friends. Infrequently exhibited, these works were separated from their original settings during Vuillard's lifetime, and they have remained a relatively unknown aspect of his oeuvre.
In this lavishly illustrated study of Vuillard as decorator, Gloria Groom examines the two earliest decades of his career, a period when he produced fifty daring and important large-scale paintings as decoration. Groom discusses these early works and recreates and re-evaluates their original context, providing valuable new information about Vuillard's career, a fresh perspective on his thinking about art, and an entertaining social history of fin-de-siecle Paris.
She describes not only Vuillard's large decorative projects but also the industrialists, bankers, doctors, financiers, journalists, playwrights, and foreign aristocrats who commissioned them, wealthy individuals who came from a social and economic milieu decidedly different from Vuillard's own. Drawing on his patrons' archives and memoirs, and on interviews with their surviving family members, as well as on Vuillard's own private journals, Groom evokes the circumstances and setting of each of these ambitious projects. She situates Vuillard's decorative works within the evolution of his other easel paintings, discusses the notion of "decoration" as a new painting style as well as a complement to the aesthetics of the art nouveau movement, and compares Vuillard's works as a painter-decorator to similar projects undertaken by his contemporaries.
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Based on the author's dissertation of the same title (Univ. of Texas at Austin, 1989), this splendid volume deserves the attention of art students and scholars alike. Groom's depth of understanding and appreciation of Vuillard's unique contribution to the decorative arts of the late 19th and early 20th centuries is clearly evident in the authoritative, well-documented text, which thoroughly analyzes Vuillard's major interior commissions from 1892 through 1913. The more than 300 high-quality illustrations elucidate Groom's analyses. Because so few of the artist's works remain in situ, reproduced photographs showing the original installations of some works are of particular interest. Extensive scholarly notes and a selective (but thorough) bibliography conclude the work. Highly recommended for all art collections.
- P. Steven Thomas, Sangamon State Univ., Springfield, Ill.
Copyright 1994 Reed Business Information, Inc.
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR004919247
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. Edouard Vuillard (1868-1940), one of the most admired post-impressionist artists, is best-known for his small easel paintings and their charming portrayals of everyday life. However, a major part of his work during his early life was the painting of large decorative panels in the Parisian homes of wealthy private patrons, produced between 1892 and 1912. These panels - some fifty in total - have been little studied, due principally to the inaccessibility of many of them and the impossibility of their being included in exhibitions. In this book, the author offers an overview of these large-scale projects for decorative commissions, describing how they shaped the artist's thinking about his art and methods of working and the influence they had on his later work. She also discusses the state of private patronage, the nature of Vuillard's patrons, and the understanding of decoration in public and private contexts in turn-of-the-century Paris. The book is lavishly illustrated, showing the panels in their original locations and as they appear today, and also includes other works by the artist and by his contemporaries - Bonnard, Monet and Seurat, amongst others, in order to compare and contrast Vuillard's achievements. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001526306
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Seller: Wickham Books South, NAPLES, FL, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Ex-library, library binding edgeworn ; Black hardcover binding. X + 260 pp. Life and work of French painter ; 4to 11" - 13" tall; x + 260 pages. Seller Inventory # 62418
Seller: BookScene, Hull, MA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover. Book Condition: Very Good. Jacket Condition: Very Good. Yale University Press, New Haven, CT 1994. 270 pages. Nice Firm Clean copy ! Size: L 4to. Art::Painting by Artist Architecture::Interior Design 5984L. Seller Inventory # 138547
Seller: Sequitur Books, Boonsboro, MD, U.S.A.
hardcover. Condition: As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Seller Inventory # 2505260063