In this highly original study of Italian baroque master Guido Reni (1575-1642), Richard Spear paints a compelling portrait of the artist -- his complexities, his formative experiences, his cultural surroundings, and his unique sensibilities. Spear views Reni's career from a wide variety of perspectives and sets his life and works in social, economic, historical, artistic, religious, and psychological contexts.
The author focuses first on Reni's peculiar character: a man at once deeply religious, rabidly misogynist, reportedly virginal, neurotically fearful of witches, and addicted to gambling. Drawing on psychoanalytical, feminine, and gay studies, Spear reveals how the artist's personality affected his studio procedures, style, and choice of subject matter, including an exceptional number of representations of de-sexualized suicidal women. Spear also examines Reni's "divine grace", which elevated him to the loftiest artistic ranks alongside Raphael and Apelles. The author considers the enduring charisma of Reni's Crucifixions, weeping Marys, and repentant saints in the light of the Catholic doctrinal meaning of grace in Reni's time, the Church's attitude toward Mary and women, and the gendered implications of visual grace. Chapters on Reni's pricing policies, selling strategies, use of assistants, and attitude toward what constituted an "original", expose the motivating importance of money for Reni, and the concerns, even among seventeenth-century collectors, about how to distinguish original paintings from studio replicas or copies. The book investigates the ways Renaissance and baroque attitudes toward art-making affected Reni and closes with a fresh view of Reni's unfinishedcanvases and last style, including the Divine Love, the beautiful and unusual painting that remained in Reni's studio at the time of his death.
"synopsis" may belong to another edition of this title.
The author is a professor of art history with an unusual approach to his subject, Guido Reni (1575-1642). He discusses the interlocking effects of "Religion, Sex, Money and Art" in the work of a painter who was violently pious, an addicted gambler always greedy for money, a believer in witchcraft, a homosexual by inclination (not necessarily by practice), and a man very testy about his social status. Not an attractive figure. The author attempts to sort out how much of Reni's conduct is attributable to ideas common at the time and how much can be considered the painter's personal invention. The discussion is most interesting when the author concentrates on his own reading of Reni's work (excellently illustrated) and his interpretation of Reni's actions, less so when he depends on outside authorities--for it seems that Professor Spear has never met a quotation he didn't like. -- The Atlantic Monthly, Phoebe-Lou Adams
"About this title" may belong to another edition of this title.
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Quarto. Hardcover. Lilac cloth with gold lettering; Color-illus. dj with white lettering. 430 pp. with 173 color and bw illustrations. "In this highly original study of Italian baroque master Guido Reni (1575-1642), Richard Spear paints a compelling portrait of the artist - his complexities, his formative experiences, his cultural surroundings, and his unique sensibilities. Spear views Reni's career from a wide variety of perspectives and sets his life and works in social, economic, historical, artistic, religious, and psychological contexts. The author focuses first on Reni's peculiar character: a man at once deeply religious, rabidly misogynist, reportedly virginal, neurotically fearful of witches, and addicted to gambling. The author considers the enduring charisma of Reni's Crucifixions, weeping Marys, and repentant saints in the light of the Catholic doctrinal meaning of grace in Reni's time, the Church's attitude toward Mary and women, and the gendered implications of visual grace. Chapters on Reni's pricing policies, selling strategies, use of assistants, and attitude toward what constituted an "original, " expose the motivating importance of money for Reni, and the concerns, even among seventeenth-century collectors, about how to distinguish original paintings from studio replicas or copies. The book investigates the ways renaissance and baroque attitudes toward art-making affected Reni and closes with a fresh view of Reni's unfinished canvases and last style, including the Divine Love, the beautiful and unusual painting that remained in Reni's studio at the time of his death." - from the dj. VG/VG-. Jacket has light fading and shelfwear, otherwise clean and unmarked. Seller Inventory # 117421
Seller: Snowden's Books, Santa Fe, NM, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Original large hardcover in jacket, first edition, 430 pages, index, many color and b + w plates throughout; attractive cloth binding with gilt along spine. Book is solid, bright, and square. Light rubbing to base of boards; minimal reference wear - pages are bright white. Jacket is solid and intact with light rubbing; some fading along spine. Very nice in protective mylar sleeve. Very good. art. Seller Inventory # ABE-1777335283756
Seller: art longwood books, Gloucester, MA, U.S.A.
Hard Cover. Condition: Near Fine Plus. Dust Jacket Condition: Near Fine Plus. First Edition. hard cover in dust jacket. no flaws. clean. no markings. no bumps, tears, chips. tight binding.; vi-430pp., 173 illustrations in color, b/w.; examines the life, work, and times of italian baroque painter, guido reni. Size: 4to - over 9¾" - 12" tall. Seller Inventory # 22494
Seller: Seicento, Washington, DC, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: New. Rare entirely new, signed copies of this out-of-print monograph. "'The "Divine" Guido is an unconventional and completely refreshing biography that unravels the knotty thickets of Guido Reni's sexual, artistic, and religious lives. [it] is fun to read, full of illuminating examples and glorious color illustrations" (Philip Sohm in "The Art Bulletin"). Signed by Author(s). Seller Inventory # Guido Reni
Seller: The Compleat Scholar, Rochester, NY, U.S.A.
hardcover. Condition: Good. No marks or highlighting in the book. Our copy is hardback, with a dust jacket, showing shelf-wear and light foxing on the [age edges. Heavy book, extra shipping costs to locations outside the USA. Seller Inventory # JTR-25-0424-33
Seller: Libereso, Amsterdam, Netherlands
Hardcover with dustjacket. In very good condition. 430 pp. Seller Inventory # 206935405
Quantity: 1 available
Seller: Widney Manor Books, Solihull, MIDLA, United Kingdom
Hardcover. Condition: Very Good. 1st Edition. Book and dust jacket are in very good conditon. 430pp with b/w and colour illustrations. Seller Inventory # 015928
Quantity: 2 available
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 336 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra for this book. Seller Inventory # GuPeNe350