The contributions of artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker-Xavier Roussel to the avant-garde of the 1890s as members of the group known as the Nabis are widely recognized. What is less known about these artists' careers is their work in decorative painting—work on a large or unusual scale. This gorgeous book reproduces 85 decorative works carried out by the four artists between 1890 and 1930. During this time each moved beyond the illusionism of easel painting and applied his wholly untraditional aesthetic of décoration to a traditional wide range of works for domestic interiors, from wall-size ensembles to screens. The book also examines the tastes and the role of the patrons who made these works possible.
Bringing together works from public and private collections, this book introduces and reunites paintings that have long been dispersed and presents to contemporary viewers bold and evocative works that literally expanded the role of painting as part of the modern experience
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Gloria Groom is David and Mary Winton Green Curator of European Painting at The Art Institute of Chicago. Nicholas Watkins is reader in the history of art at the University of Leicester and a widely published authority on Bonnard. Jennifer Paoletti is research assistant in the European Painting Department of The Art Institute of Chicago. Thérèse Barruel is an independent scholar and specialist on Denis.
Accompanying an exhibition at The Art Institute of Chicago and The Metropolitan Museum of Art, this attractive catalog is the first study to focus on the decorative painting of French artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel, members of the Nabis in the late 19th and early 20th centuries. Curator Groom chronicles the formal development of each artist's style as well as the involvement of patrons who commissioned murals and screens for their homes. In his essay, scholar Nicholas Watkins demonstrates how the four artists applied the aesthetic principles of the mural to all types of painting, thus subverting the academic hierarchy of the fine and decorative arts. Drawing parallels with William Morris's Arts and Crafts movement and acknowledging the influences of both Japanese art and the 18th-century French rococo style, Watkins traces the absorption of these artists' abstracted decorative style into early 20th-century modernism and post-World War II avant-garde painting. With beautiful illustrations and a thoughtful text, this book is recommended for all libraries with art collections. Sandra Rothenberg, Framingham State Coll. Lib., MA
Copyright 2001 Reed Business Information, Inc.
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Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 14462235-6
Quantity: 3 available
Seller: Snowden's Books, Santa Fe, NM, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Large hardcover in jacket, there are numerous color and b + w plates throughout book. Mild reference wear with rubbing to the jacket. Solid and bright. w4. Seller Inventory # ABE-1670991365558
Seller: Lavendier Books, Foster, RI, U.S.A.
hardcover. Condition: Very Good. The Art Institute of Chicago and Yale University Press; Chicago and New Haven, 2001. Hardcover. A Very Good, olive green cloth binding with tan lettering on spine, binding sturdy and intact, some scattered foxing to text block edges, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, scattered foxing to verso panels and flaps, Mylar protected, Dust wrapper. A nice, overall clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 289pp., bibliography, lenders to the exhibition, photography credits, index, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book. Seller Inventory # SKU1045689
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardbound. Gold cloth with tan lettering on spine, green, color-illustrated wraps. xiii, 289 pp. 292 illustrations, including 178 color and 114 halftones. Catalog of an exhibition held at the Art Institute of Chicago, Feb. 25-May 16, 2001 and the Metropolitan Museum of Art, June 26-Sept. 9, 2001. "The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication." "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--Jacket. VG+/VG- (wear to corner block edges, slight foxing to dustjacket interior). Seller Inventory # 105396
Seller: Bookplate, Chestertown, MD, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Clean, unmarked, sharp corners, firm hinges, DJ in VG+ condition. BP/Art/MultiArtists. Seller Inventory # ABE-1664767132658
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Bonnard, Vuillard, Denis, Roussel (illustrator). 292 illustrations, including 178 in color. 289 pages. Square 4to, green cloth, d.w. New Haven: Yale University Press, (2001). First edition. A fine copy in a fine dust wrapper. Seller Inventory # 319264
Seller: Riverside Books and Prints, Cold Spring, NY, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 289 pp., 292 illustrations 178 in color. Preface by James N. Wood and Philippe de Montebello. Published on the occasion of the exhibition from The Art Institute of Chicago, Chicago IL 25 February-16 May 2001 and The Metropolitan Museum of Art, New York NY 26 June-9 September 2001. Selected Bibliography and Index. Seller Inventory # 005651
Seller: Tin Moon, New York, NY, U.S.A.
Soft cover. Condition: New. Dust Jacket Condition: New. 1st Edition. Seller Inventory # ABE-1702334886162
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In poor condition, suitable as a reading copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1950grams, ISBN:9780300089257. Seller Inventory # 9941083
Quantity: 1 available
Seller: Hackenberg Booksellers ABAA, El Cerrito, CA, U.S.A.
With an essay by Nicholas Watkins and contributions by Jennifer Paoletti and Thérèse Barruel. [xiv] 289p., colored and b/w illus., dj, quarto format. Seller Inventory # 046146