A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York
Florine Stettheimer (1871–1944) was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O’Keeffe’s artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist’s extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer’s poetry and gives her a long overdue critical reassessment.
The essays published here—as well as a roundtable discussion by seven leading contemporary female artists—overturn the traditional perception of Stettheimer as an artist of mere novelties. Her work is linked not only to American modernism and the New York bohemian scene before World War II but also to a range of art practices active today. Flamboyant and epicurean, she was an astute documenter of New York and parodist of her social milieu; her highly decorative scenes borrowed from Surrealism and contributed to the beginnings of a feminist aesthetic.
Published in association with the Jewish Museum, New York, and the Art Gallery of Ontario
Exhibition Schedule:
The Jewish Museum, New York
(05/05/17–09/24/17)
Art Gallery of Ontario
(10/21/17–01/28/18)
"synopsis" may belong to another edition of this title.
Stephen Brown is Neubauer Family Foundation Associate Curator at the Jewish Museum, New York. Georgiana Uhlyarik is curator at the Art Gallery of Ontario.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: Very Good+. Dust Jacket Condition: No Dust Jacket. Color Illlustrations; 9.7 X 8.5 X 0.8 inches; 168 pages. Seller Inventory # 16952
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Hard Cover. Condition: Fne. Exhibition catalog for the show of the same name, by the publisher's gallery in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 168 pages with color prints and photos lavishly illustrating the text. Seller Inventory # 149528
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Hardcover. Condition: Fine. First Edition /First Printing. hardcover, illustrated boards., no flaws or wear. clean. no markings. no bumps, tears, creases. tight binding. a pristine, unused copy.; english text.; 168pp., illustrated throughout in color. two essays and texts from several other contributors. comprehensive look into the unique life and works. Size: 8vo - over 7¾" - 9¾" tall. Exhibition Catalogue. Seller Inventory # 24938
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York Florine Stettheimer (1871-1944) was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment. The essays published here-as well as a roundtable discussion by seven leading contemporary female artists-overturn the traditional perception of Stettheimer as an artist of mere novelties. Her work is linked not only to American modernism and the New York bohemian scene before World War II but also to a range of art practices active today. Flamboyant and epicurean, she was an astute documenter of New York and parodist of her social milieu; her highly decorative scenes borrowed from Surrealism and contributed to the beginnings of a feminist aesthetic. Published in association with the Jewish Museum, New York, and the Art Gallery of Ontario Exhibition Schedule:The Jewish Museum, New York (05/05/17-09/24/17)Art Gallery of Ontario (10/21/17-01/28/18). Seller Inventory # LU-9780300221985
Quantity: Over 20 available