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Starred Review. Like a giant sequoia towering over a copse of maple trees, Hugo-winner Dozois's annual shelf-bending collection of the year's best SF continues to overshadow all other anthologies. Highlights include Greg Egan's Riding the Crocodile about two immortals who yearn to do something grand and audacious before they consciously end their lives; Cory Doctorow's I, Row-Boat which chronicles a theological dispute between an artificially intelligent boat and a sentient coral reef; and Alastair Reynolds's Signal to Noise an unexpectedly intimate story about a scientist's attempt to contact his recently deceased wife across quantum realities. This yearly anthology is required reading for every serious SF fan.
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In assembling the twenty-fourth edition of this celebrated annual, veteran editor Dozois stuck to the formula he has used for all the previous 23 volumes by picking personal favorites. The lack of any stricter editorial guidelines may be surprising, but Dozois' keen eye for craftsmanship has helped him compile superior collections year in and year out, and it doesn't fail him now. Volume 24 presents more than two-dozen authors expanding on themes ranging from the loss of culture on a postapocalyptic Earth to life on a terraformed Mars. In the opening story, by Cory Doctorow, an AI-enhanced rowboat is unsettled enough by a religion called Asimovism to contemplate electronic suicide. Michael Swanwick's Tin Marsh recounts the fate of two isolated Venusian miners who begin to loathe each other. Other tales describe a human child's alliance with an alien assassin, explore humanity's fate in neighboring universes, and more, much more. Veterans and rising stars alike ensure the continued vitality of a series that is the standard-bearer of sf's leading edge. Hays, Carl
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