Hailed for his grandeur of imagination and superb worldbuilding, winner of and nominee for more than fifty awards for his outstanding work, Mike Resnick has rightfully won a place as one of science fiction's master storytellers. Now, in Kirinyaga, Resnick presents the haunting and utterly compelling tale of one man's utopia.
By the twentieth second century in the African nation of Kenya, polluted cities sprawl up the flanks of sacred Mount Kirinyaga. Great animal herds are but distant memories. European crops now grow on the sweeping savannas. But Koriba, a distinguished, educated man of Kikuyu ancestry, knows that life was different for his people centuries ago--and he is determined to build a utopian colony, not on earth, but on the terraformed planetoid he proudly names Kirinyaga.
As the mundumugu--witch doctor--Koriba leads the colonists. Reinstating the ancient customs and stringent laws of the Kikuyu people, he alone decides their fate. He must face many challenges to the struggling colony's survival: from a brilliant young girl whose radiant intellect could threaten their traditional ways to the interference of "Maintenance" which holds the power to revoke the colony's charter. All the while, only Koriba--unbeknownst to his people--maintains the computer link to the rest of humanity.
Ironically, the Kirinyaga experiment threatens to collapse--not from violence or greed--but from humankind's insatiable desire for knowledge. The Kikuyu people can no more stand still in time than their planet can stop revolving around its sun.
Deeply moving, swiftly paced, and profound in its implications, Kirinyaga is Mike Resnick's most triumphant work to date. His Fable of Utopia is the book every science fiction reader will want to own and savor for years to come.
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Mike Resnick's outstanding work has won numerous awards--including three Hugos and one Nebula--and has been nominated for dozens more. Resnick has traveled extensively in Africa, the setting for Kirinyaga. He divides his time between Cincinnati, Ohio, and Orlando, Florida.
"Kirinyaga is one of the most significant novels in the history of science fiction."
--Robert J. Sawyer,
Nebula Award-winning author of Illegal Alien
"Wonderful . . . [Resnick's stories] bridge cultures and make you look at the world through a different pair of eyes."
--Raymond E. Feist
New York Times bestselling author of Rage of a Demon King
"Resnick is thought-provoking, imaginative . . . and--above all--galactically grand."
--Los Angeles Times
"Resnick's best--a moving and imaginative portrait of Africa reborn."
--Greg Bear
Hugo and Nebula Award-winning author of Moving Mars
is grandeur of imagination and superb worldbuilding, winner of and nominee for more than fifty awards for his outstanding work, Mike Resnick has rightfully won a place as one of science fiction's master storytellers. Now, in Kirinyaga, Resnick presents the haunting and utterly compelling tale of one man's utopia.
By the twentieth second century in the African nation of Kenya, polluted cities sprawl up the flanks of sacred Mount Kirinyaga. Great animal herds are but distant memories. European crops now grow on the sweeping savannas. But Koriba, a distinguished, educated man of Kikuyu ancestry, knows that life was different for his people centuries ago--and he is determined to build a utopian colony, not on earth, but on the terraformed planetoid he proudly names Kirinyaga.
As the mundumugu--witch doctor--Koriba leads the colonists. Reinstating the ancient customs and stringent laws of the Kikuyu people, he alone decides their fate. He must face many challenges to the strugglin
YA-Set in the 22nd century, this stunning sci-fi allegory describes the struggles and ultimate failure of a utopian colony on a terraformed planetoid. In the African nation of Kenya, polluted cities crawl up the side of Mount Kirinyaga. The magnificent animal herds of the past are but distant memories and native crops have been supplanted by European imports. Koriba, a well-educated man, is determined to reinstate the ancient customs and strict laws of his Kikuyu ancestors and invites others to join him in a new society named for their sacred mountain. As the mundumugu-witch doctor-Koriba faces numerous challenges to the utopian society's survival. He must deny a brilliant young woman an education because it is not the ancient way of his people. He watches helplessly as his charges insist on bringing in a white hunter with a gun to kill marauding hyenas when the colony's primitive weapons prove insufficient. With the technology comes subservience to white men's ways. But, in an ultimate irony, Koriba maintains his pure society with a computer link to the rest of humanity, even adjusting weather patterns by communicating his needs to an outside "Maintenance" group. It is the thirst for knowledge that this computer represents that becomes the ultimate threat to the colony. Young adults will love this provocative tale that examines the need for an orderly society, the rights of the individual, and the siren's lure of knowledge.
Pat Bangs, Fairfax County Public Library, VA
Copyright 1999 Reed Business Information, Inc.
Another African saga from Resnick (A Miracle of Rare Design, 1994, etc.) comprising nine linked stores (all have appeared before; several have won major awards) about Kirinyaga, the spiritual homeland of Kenya's Kikuyu people. In the 22nd century, the Eutopian Council grants the Kikuyu people a terraformed planet to be their new homeland (old Kenya is citified and Europeanized) where they can live according to their ancient customs and practices. Though the paramount chief is Koinnage, the ultimate authority on Kirinyaga is the witch doctor Koriba, healer, arbitrator, teacher, priest, and repository of the tribe's wisdom. By Kikuyu custom, the old and infirm are put outside for the hyenas, and infanticide is both common and necessary; Maintenance, which controls the planets's orbit and climate, objects but has no power to intervene. But other threats to Koriba's utopia arise, and at first his wisdom and cunning prevail: He is able to make his rulings with dissent. Slowly, however, despite Koriba's best efforts, modern ideas and technology begin to corrupt his nascent utopia. At last even Koriba's apprentice, Ndemi, abandons Kirinyaga, while the people reject the Kikuyu god, Ngai, whose spirit embodies the mountain of Kirinyaga. Readers will be constrained to ask: Is this a genuine utopia tragically destroyed, or the impossible dream of a mulish old man who rejects even the possibility of change? It's thought- provoking, unquestionably, and Resnick's yarn-spinning is top- notch. But problems remain, such as the traditional status of Kikuyu women, whose lot is unremitting toil, enforced ignorance, and genital mutilation. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Kirinyaga was born of an idea given to Resnick by Orson Scott Card: conceive of a story in which earth people migrate to a terraformed world and set up a utopia. Resnick, possessed of a bounty of knowledge about East Africa, devised Kirinyaga, the ancient home of the Kikuyu and Maasai peoples before the Europeans came and invented Kenya. Kirinyaga is presided over by Koriba, the mundumugu, or, as Europeans would have it, witch doctor. Koriba is intent on the old ways because he feels modern Kenyans have lost their way, and he imposes strict disciplines: no machinery, no weapons but spears, no modern medicine. In one of the more touching stories in a book that is basically a collection, Koriba will not allow a brilliant young girl to learn to read, since reading is a European corruption; the girl kills herself. In another, particularly clever episode, Koriba appears to invoke magic when he trains hyenas to attack a Maasai hunter who briefly takes over the colony; but there is no magic, only the wisdom of the ancients. Each story in Kirinyaga has won several awards; in an afterword, Resnick claims this is "the most honored science-fiction book in history." As disquieting and lyrical as the tales are, they are somewhat repetitive when presented as a whole. Even so, Kirinyaga is extraordinary work. John Mort
Seeking a return to the simpler life of their Kikuyu ancestors, a group of Africans colonize the planet Kirinyaga. As mundumugu (wisdom keeper), European-educated Koriba strives to protect his people from the corruption of modern civilization, enforcing tribal traditions with a ruthlessness and clarity born of his commitment to a dream. Written over a decade, from 1987 to 1997, the ten linked stories in this collection chronicle the birth, decay, and death of a Utopian vision. Resnick (The Widowmaker Reborn, Bantam, 1997) writes with eloquence and compassion, offering keen insights into the conflict between humanity's desire for stable perfection and its need for dynamic change. Recommended for most sf collections.
Copyright 1998 Reed Business Information, Inc.
In the beginning, Ngai lived alone atop the mountain called Kirinyaga. In the fullness of time He created three sons, who became the fathers of the Maasai, the Kamba, and the Kikuyu races, and to each son He offered a spear, a bow, and a digging stick. The Maasai chose the spear, and was told to tend herds on the vast savannah. The Kamba chose the bow, and was sent to the dense forests to hunt for game. But Gikuyu, the first Kikuyu, knew that Ngai loved the earth and the seasons, and chose the digging stick. To reward him for this Ngai not only taught him the secrets of the seed and the harvest, but gave him Kirinyaga, with its holy fig tree and rich lands.
The sons and daughters of Gikuyu remained on Kirinyaga until the white man came and took their lands away, and even when the white man had been banished they did not return, but chose to remain in the cities, wearing Western clothes and using Western machines and living Western lives. Even I, who am a mundumugu--a witch doctor--was born in the city. I have never seen the lion or the elephant or the rhinoceros, for all of them were extinct before my birth; nor have I seen Kirinyaga as Ngai meant it to be seen, for a bustling, overcrowded city of three million inhabitants covers its slopes, every year approaching closer and closer to Ngai's throne at the summit. Even the Kikuyu have forgotten its true name, and now know it only as Mount Kenya.
To be thrown out of Paradise, as were the Christian Adam and Eve, is a terrible fate, but to live beside a debased Paradise is infinitely worse. I think about them frequently, the descendants of Gikuyu who have forgotten their origin and their traditions and are now merely Kenyans, and I wonder why more of them did not join with us when we created the Eutopian world of Kirinyaga.
True, it is a harsh life, for Ngai never meant life to be easy; but it is also a satisfying life. We live in harmony with our environment, we offer sacrifices when Ngai's tears of compassion fall upon our fields and give sustenance to our crops, we slaughter a goat to thank him for the harvest.
Our pleasures are simple: a gourd of pombe to drink, the warmth of a boma when the sun has gone down, the wail of a newborn son or daughter, the footraces and spear-throwing and other contests, the nightly singing and dancing.
Maintenance watches Kirinyaga discreetly, making minor orbital adjustments when necessary, assuring that our tropical climate remains constant. From time to time they have subtly suggested that we might wish to draw upon their medical expertise, or perhaps allow our children to make use of their educational facilities, but they have taken our refusal with good grace, and have never shown any desire to interfere in our affairs.
Until I strangled the baby.
It was less than an hour later that Koinnage, our paramount chief, sought me out.
"That was an unwise thing to do, Koriba," he said grimly.
"It was not a matter of choice," I replied. "You know that."
"Of course you had a choice," he responded. "You could have let the infant live." He paused, trying to control his anger and his fear. "Maintenance has never set foot on Kirinyaga before, but now they will come."
"Let them," I said with a shrug. "No law has been broken."
"We have killed a baby," he replied. "They will come, and they will revoke our charter!"
I shook my head. "No one will revoke our charter."
"Do not be too certain of that, Koriba," he warned me. "You can bury a goat alive, and they will monitor us and shake their heads and speak contemptuously among themselves about our religion. You can leave the aged and the infirm out for the hyenas to eat, and they will look upon us with disgust and call us godless heathens. But I tell you that killing a newborn infant is another matter. They will not sit idly by; they will come."
"If they do, I shall explain why I killed it," I replied calmly.
"They will not accept your answers," said Koinnage. "They will not understand."
"They will have no choice but to accept my answers," I said. "This is Kirinyaga, and they are not permitted to interfere."
"They will find a way," he said with an air of certainty. "We must apologize and tell them that it will not happen again."
"We will not apologize," I said sternly. "Nor can we promise that it will not happen again."
"Then, as paramount chief, I will apologize."
I stared at him for a long moment, then shrugged. "Do what you must do," I said.
Suddenly I could see the terror in his eyes.
"What will you do to me?" he asked fearfully.
"I? Nothing at all," I said. "Are you not my chief?" As he relaxed, I added: "But if I were you, I would beware of insects."
"Insects?" he repeated. "Why?"
"Because the next insect that bites you, be it spider or mosquito or fly, will surely kill you," I said. "Your blood will boil within your body, and your bones will melt. You will want to scream out your agony, yet you will be unable to utter a sound." I paused. "It is not a death I would wish on a friend," I added seriously.
"Are we not friends, Koriba?" he said, his ebon face turning an ash-gray.
"I thought we were," I said. "But my friends honor our traditions. They do not apologize for them to the white man."
"I will not apologize!" he promised fervently. He spat on both his hands as a gesture of his sincerity.
I opened one of the pouches I kept around my waist and withdrew a small polished stone from the shore of our nearby river. "Wear this around your neck," I said, handing it to him, "and it shall protect you from the bites of insects."
"Thank you, Koriba!" he said with sincere gratitude, and another crisis had been averted.
We spoke about the affairs of the village for a few more minutes, and finally he left me. I sent for Mali, the infant's mother, and led her through the ritual of purification, so that she might conceive again. I also gave her an ointment to relieve the pain in her breasts, since they were heavy with milk. Then I sat down by the fire before my boma and made myself available to my people, settling disputes over the ownership of chickens and goats, and supplying charms against demons, and instructing my people in the ancient ways.
By the time of the evening meal, no one had a thought for the dead baby. I ate alone in my boma, as befitted my status, for the mundumugu always lives and eats apart from his people. When I had finished I wrapped a blanket around my body to protect me from the cold and walked down the dirt path to where all the other bomas were clustered. The cattle and goats and chickens were penned up for the night, and my people, who had slaughtered and eaten a cow, were now singing and dancing and drinking great quantities of pombe. As they made way for me, I walked over to the caldron and took a drink of pombe, and then, at Kanjara's request, I slit open a goat and read its entrails and saw that his youngest wife would soon conceive, which was cause for more celebration. Finally the children urged me to tell them a story.
"But not a story of Earth," complained one of the taller boys. "We hear those all the time. This must be a story about Kirinyaga."
"All right," I said. "If you will all gather around, I will tell you a story of Kirinyaga." The youngsters all moved closer. "This," I said, "is the story of the Lion and the Hare." I paused until I was sure that I had everyone's attention, especially that of the adults. "A hare was chosen by his people to be sacrificed to a lion, so that the lion would not bring disaster to their village. The hare might have run away, but he knew that sooner or later the lion would catch him, so instead he sought out the lion and walked right up to him, and as the lion opened his mouth to swallow him, the hare said, 'I apologize, Great Lion.'
"'For what?' asked the lion curiously.
"'Because I am such a small meal,' answered the hare. 'For that reason, I brought honey for you as well.'
"'I see no honey,' said the lion.
"'That is why I apologized,' answered the hare. 'Another lion stole it from me. He is a ferocious creature, and says that he is not afraid of you.'
"The lion rose to his feet. 'Where is this other lion?' he roared.
"The hare pointed to a hole in the earth. 'Down there,' he said, 'but he will not give you back your honey.'
"'We shall see about that!' growled the lion.
"He jumped into the hole, roaring furiously, and was never seen again, for the hare had chosen a very deep hole indeed. Then the hare went home to his people and told them that the lion would never bother them again."
Most of the children laughed and clapped their hands in delight, but the same young boy voiced his objection.
"That is not a story of Kirinyaga," he said scornfully. "We have no lions here."
"It is a story of Kirinyaga," I replied. "What is important about the story is not that it concerned a lion and a hare, but that it shows that the weaker can defeat the stronger if he uses his intelligence."
"What has that to do with Kirinyaga?" asked the boy.
"What if we pretend that the men of Maintenance, who have ships and weapons, are the lion, and that the Kikuyu are the hares?" I suggested. "What shall the hares do if the lion demands a sacrifice?"
The boy suddenly grinned. "Now I understand! We shall throw the lion down a hole!"...
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