From a writer who reveals 'the plainness of everyday life with straightforward lyricism' (The New York Times Book Review), the story of one remarkable, average woman.
On a clear winter night in upstate New York, two young men break in to a house they believe is empty. It isn't, and within minutes an old woman is dead and the house is in flames. Soon after, the men are caught by the police. Across the county, a phone rings in a darkened bedroom, waking a pregnant woman. It's her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty Dickerson's old life ends and a strange new one begins.
At once a love story and a portrait of a woman discovering her own strength, The Good Wife follows Patty through the twenty-eight years of her husband's incarceration, as she raises her son, navigates a system that has no place for her, and braves the scorn of her community. Compassionate and unflinching, The Good Wife illuminates a marriage and a family tested to the limits of endurance.
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Stewart O'Nan's novels include The Night Country, Snow Angels, The Speed Queen, and A Prayer for the Dying. Granta named him one of the Twenty Best Young American Novelists. He lives in Connecticut.
The Good Wife, O’Nan’s ninth novel (after The Night Country *** Jan/Feb 2004), tells a compassionate, nonjudgmental tale about love, faith, blue-collar existence, prison life, and, above all, the ordinary act of waiting. Told in the present tense by an omniscient narrator, the novel delves deep inside its characters, particularly the hopeful Patty. Although he fails to fully develop her son, O’Nan limns Patty with sympathy and a sharp eye for all the period details that mark her long, difficult passage of time. The powerful yet "dry, straightforward, muted prose," notes the Los Angeles Times, aptly captures the "colorlessness of Patty’s life." Like O’Nan’s previous novels, The Good Wife is grim—and unforgettable.
Copyright © 2004 Phillips & Nelson Media, Inc.
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