The only complete edition of stories by the undisputed master of detective literature, collected here for the first time in one volume, including some stories that have been unavailable for decades.
When Raymond Chandler turned to writing at the age of forty-five, he began by publishing stories in pulp magazines such as “Black Mask” before later writing his famous novels. These stories are where Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling, and alcohol in abundance. In addition to his classic hard-boiled stories–in which his signature atmosphere of depravity and violence swirls around the cool, intuitive loners whose type culminated in the famous detective Philip Marlowe–Chandler also turned his hand to fantasy and even a gothic romance.
This rich treasury of twenty-five stories shows Chandler developing the terse, laconic, understated style that would serve him so well in his later masterpieces, and immerses the reader in the richly realized fictional universe that has become an enduring part of our literary landscape
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Raymond Thornton Chandler (1888 - 1959) was the master practitioner of American hard-boiled crime fiction. Although he was born in Chicago, Chandler spent most of his boyhood and youth in England where he attended Dulwich College and later worked as a freelance journalist for The Westminster Gazette and The Spectator. During World War I, Chandler served in France with the First Division of the Canadian Expeditionary Force, transferring later to the Royal Flying Corps (R. A. F.). In 1919 he returned to the United States, settling in California, where he eventually became director of a number of independent oil companies. The Depression put an end to his career, and in 1933, at the age of forty-five, he turned to writing fiction, publishing his first stories in Black Mask. Chandler’s detective stories often starred the brash but honorable Philip Marlowe (introduced in 1939 in his first novel, The Big Sleep) and were noted for their literate presentation and dead-on critical eye. Never a prolific writer, Chandler published only one collection of stories and seven novels in his lifetime. Some of Chandler’s novels, like The Big Sleep, were made into classic movies which helped define the film noir style. In the last year of his life he was elected president of the Mystery Writers of America. He died in La Jolla, California on March 26, 1959.
The only complete edition of stories by the undisputed master of detective literature, collected here for the first time in one volume, including some stories that have been unavailable for decades.
When Raymond Chandler turned to writing at the age of forty-five, he began by publishing stories in pulp magazines such as "Black Mask before later writing his famous novels. These stories are where Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling, and alcohol in abundance. In addition to his classic hard-boiled stories--in which his signature atmosphere of depravity and violence swirls around the cool, intuitive loners whose type culminated in the famous detective Philip Marlowe--Chandler also turned his hand to fantasy and even a gothic romance. This rich treasury of 25 stories shows Chandler developing the terse, laconic, understated style that would serve him so well in his later masterpieces, and immerses the reader in the richly realized fictional universe that has become an enduring part of our literary landscape.
The only complete edition of stories by the undisputed master of detective literature, collected here for the first time in one volume, including some stories that have been unavailable for decades.
When Raymond Chandler turned to writing at the age of forty-five, he began by publishing stories in pulp magazines such as Black Mask before later writing his famous novels. These stories are where Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling, and alcohol in abundance. In addition to his classic hard-boiled stories?in which his signature atmosphere of depravity and violence swirls around the cool, intuitive loners whose type culminated in the famous detective Philip Marlowe?Chandler also turned his hand to fantasy and even a gothic romance. This rich treasury of 25 stories shows Chandler developing the terse, laconic, understated style that would serve him so well in his later masterpieces, and immerses the reader in the richly realized fictional universe that has become an enduring part of our literary landscape.
It was a big year for Chandler: not only did Knopf release his full canon in this hardcover trio, which includes some long-out-of-print stories, but Vintage also released a new set of paperbacks (LJ 7/02) of all his books. (LJ 9/15/02)
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*Starred Review* "The front of her dress was a sudden welter of blood. Her eyes opened and shut, opened and stayed open." That sentence, from Raymond Chandler's 1935 story "Spanish Blood," says volumes about the history of mystery fiction. Death was mostly an offstage plot device in the works of Agatha Christie and other English authors during the so-called Golden Age of the detective story; American pulp writers made guns and blood their stock-in-trade, but most of them knew little about style, and their work didn't circulate much beyond bus stations and drugstores. Then Chandler, getting his start in those same pulps, began using phrases such as "sudden welter of blood," and it was only a matter of time before the literary world took notice. This landmark collection, gargantuan in both size and significance, brings together for the first time all of Chandler's short fiction, the raw material from which he later fashioned all his celebrated novels, from The Big Sleep through The Long Goodbye. Part of the fascination in reading these seminal tales is to encounter bits and pieces of the novels turning up in all sorts of places: the fabled opening scene of The Big Sleep, Marlowe with General Sternwood in the greenhouse, takes place in one story, while the later scene involving Sternwood's thumb-sucking daughter, Carmen, and her adventures with a pornographer becomes the centerpiece in an entirely different story. To read these 25 stories, 22 of which were originally published in the 1930s, consecutively is to watch Chandler's craft develop: the move from third to first person; the fascination with atmosphere and mood; the outrageous similes; the liberating focus on his detective's thoughts and feelings; and, of course, the relish with which he describes violence and death, utterly realistic yet flamboyantly stylized. And, yet, one can also see Chandler chomping at the bit of the short form, the plot demands of the mystery formula keeping him from his real interests: character and place. Only Chandler fanatics will want to read every word of this encyclopedic volume, but anyone with any interest in the history of hard-boiled fiction should sample its groundbreaking wares. A major publishing event. Bill Ott
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