The Dark Volume - Hardcover

Dahlquist, Gordon

Hardcover

ISBN 10: 0385340362 ISBN 13: 9780385340366

Publisher: Bantam, 2009

Synopsis

Gordon Dahlquist transfixed readers across the world with his dazzling literary debut, the epic Victorian tale The Glass Books of the Dream Eaters. Now the internationally bestselling author continues an adventure like no other, featuring three heroes you will never forget.

Awakening from a fevered delirium, Celeste Temple finds herself in a fishing village on the remote Iron Coast. She has no idea where her companions, Cardinal Chang and Doctor Svenson, might be—nor whether any of her enemies survived the dirigible crash that marked her last conscious moment. And while her body seems intact, she cannot say the same for her mind. For she must contend not only with the possibility that peril awaits her but with the memory of her traitorous fiancé’s murder at sea…along with thousands of other memories that now live within her—courtesy of a bewitching glass book.

Hunted by murderous opportunists and cruel mercenaries of every kind, Miss Temple, Chang, and the Doctor are soon propelled into a quest that will draw them one by one into a realm of reckless, lawless terror. At every turn lies another enigma—and the stench of indigo clay, the raw material used to enslave even the most steadfast soul. Now they alone stand in the path of a diabolical conspiracy involving the books—one that will mean an alarming new world where once-free-roaming minds are wiped completely clean… if they live long enough. As Miss Temple, Cardinal Chang and Dr. Svenson uncover the devilish schemes of their deadly enemies, the terrifying secrets contained in The Dark Volume will be revealed one by one. For the blue glass is more lethal than they’d ever imagined—and those who possess it, as well as those who pursue it, are playing with fire.

Pulsing with electrifying suspense, this uniquely thrilling feat of the imagination will grip readers in its dark thrall long after the final page is devoured.

About this title

About the Author

Playwright Gordon Dahlquist was born in the Pacific Northwest and lives in New York City. He is the author of the international bestseller The Glass Books of the Dream Eaters.

Reviews

Readers unfamiliar with bestseller Dahlquist's 2006 debut, The Glass Books of the Dream Eaters, which is set in an alternate world similar to Victorian Europe, may have trouble following this complicated sequel, despite the preparatory word on what has already happened at the start. In The Glass Books, West Indies plantation heiress Celeste Temple, naval surgeon Abelard Svenson and criminal Cardinal Chang joined forces to combat an evil cabal that smelted a mineral into a psychotropic blue glass that captures human memory. Temple, who survived the previous book's cinematic climax involving a gunfight in a sinking dirigible, finds herself suspected of a series of mysterious murders, while Svenson and Chang discover new enemies to thwart. Too much going on at the same time, including less than engaging confrontations with various over-the-top villains, undermines a clever concept that may yet be the basis for a solid adventure series. (Mar. 31)
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Dahlquist’s sequel to The Glass Books of the Dream Eaters (2007) is dark indeed. The daunting “Preparatory Word” details what has gone before: who killed whom and what alchemical experiments have already taken place. If you haven’t read the first book, good luck! That said, fans of Tobsha Learner’s Soul (2008) and Jonathan Barnes’ Somnambulist (2008) will enjoy this surreal Victorian journey into the nightmarish possibilities of mind swapping. Miss Temple awakens after a dirigible crash with fragmented memories of murder and precious cargo. Separated from her companions, she flees hostile villagers in the company of the not-quite-honest Eloise, launching a seemingly endless series of adventures involving exquisite pain, sexual revelations, and near-death experiences. Meanwhile, a powerful cabal seeking a lost glass book is subverted by its victims, among them a blue-glass whore and a wily contessa. The idea of glass “books,” which absorb a person’s essence through a nasty “process,” is what makes this sometimes bewildering, overpopulated novel fascinating. It’s a big-concept story full of potent psychological metaphors, and if those metaphors never quite gel, they still offer readers much to contemplate. --Jen Baker

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One


Wolves


One of his hands tugged cruelly at her hair as the other squeezed her throat. Miss Temple could not breathe—he was too strong, too angry—and even as part of her mind screamed that she must not, that there must be another way, she ground the revolver into the man's body and pulled the trigger. It kicked against her wrist with a deafening crack and Roger Bascombe was thrown into the cabin wall. The red imprint of his fingers marked her windpipe, but his shocked blue eyes—the fiance who had cruelly thrown her over—showed only dismay at her betrayal. His gaze punctured her heart like a blade. What had she done? She stumbled, aware for the first time that her feet were freezing, that she stood in six inches of icy seawater. The airship had spiraled into the ocean. They were sinking. She would drown.

Dimly, Miss Temple heard her name—Celeste! Celeste!—the calls of Doctor Svenson and of Chang. Her memory seemed two steps behind . . . they had climbed to the roof, with Eloise. She must follow, it was her only chance to survive . . . but she looked again at Roger, crumpled and wan, and could not move—would they die together after all? But then something nudged Miss Temple's leg. She cried out, thinking of rats on a ship, and saw it was another body, floating with the rising water . . . the Comte d'Orkancz, alchemist savant who discovered the blue glass, run through with a saber by Cardinal Chang. Miss Temple forced herself to slog past the dead man's bulk, barely able to feel her legs. Other bodies loomed as she crossed the cabin, each more gruesome than the last . . . Francis Xonck, with his flaming red hair and elegant silk waistcoat, shot by Doctor Svenson . . . Lydia Vandaariff, decapitated with a blue glass book . . . the Prince of Macklenburg, legs broken clean away. Miss Temple crawled up the stairs, the foaming water keeping pace as her fingers clawed the cold metal. The cries above were fainter. With a piercing shock she remembered the one body she had not seen, the Contessa di Lacquer-Sforza . . . had she jumped to her death? Had she somehow hidden and killed the others? Was she even then waiting for Miss Temple?

The cold salt water reached her throat, splashing at her mouth. Her arms became too heavy to lift. Behind lay Roger . . . her terrible guilt. Above floated the open hatch. She could not move for the ice forming around her legs, locking her joints stiff. She would perish after all, just as she deserved . . .


Miss Temple woke—weak, starving, and riddled with aches—to a sour-smelling room with dark raw-cut beams above her head. A single smeared window framed the feeble light of a heavy, cloud-covered sky, the very image of boiled wool. She sat up in the frankly noisome bed, doing her best to shake away the vision of the sinking airship.

"At least it does not reek of fish," she muttered, and looked about her for any sign of where she was or, for that matter, her clothing. But the room was bare.

She crept gingerly off the bed, feeling the unsoundness of her limbs and the lightness of her head, and peered under the frame, to find a chipped porcelain chamber pot. As Miss Temple squatted down, she rubbed her eyes, and looked at her hands, which were flecked with half-healed abrasions and cuts. She stood, slid the pot back beneath the bed with her foot, and noticed a small rectangle of glass, no bigger than a page of poetry, hanging from a nail—a mirror. She was forced to stand on her toes, but despite the effort, stayed staring into the glass for some minutes, curious and dismayed at the young woman she there met.

Her chestnut curls hung flat and lank, which had the effect of making her face—from a certain vantage somewhat round—even rounder. This was only set off by her sunken cheeks, the dark circles of distress beneath each eye, and once more a scattering of livid marks—the searing trace of a bullet above one ear, welts across both cheekbones, and greenish bruises on her throat that perfectly matched a vicious, squeezing palm. All this Miss Temple took in with a sigh, grateful she had not, for instance, lost a tooth—that all could be mended by time, food, and the touch of a skillful maid. What struck her more fully, however—what she found mysterious—was what had happened to her eyes. They were still grey, still insistent, impatient, and sharp, but possessed a new quality she could not at first name. A moment later the truth appeared. She was a killer.

Miss Temple sat back on the bed and stared up at the darkening clouds. She had shot Roger Bascombe and left his body to the sea. Certainly the man had betrayed her, betrayed everything, and yet . . . what had she become in defeating him, in thwarting the powerful figures Roger had chosen to serve, chosen over her love, their marriage . . . what had she herself cast away?

Such thoughts were impossible on an empty stomach. She would eat, bathe, dress, locate her friends—still an oddly foreign notion to Miss Temple—and take assurance from their survival, that it had all been necessary.

But when she called to the door, her voice an alarmingly ragged croak, there came no answer. Instead of calling again, Miss Temple lay down and pulled the blankets up over her face.

As she lay sniffing the dusty wool, she recalled what she could of her coming ashore. They had been on the roof of the dirigible's cabin, waiting to drown as it dropped into the sea, but instead of sinking they came aground on fortunate rocks, saved. She reached the sand on her hands and knees, half-drowned and cold to the bone, frozen anew by the pitiless wind whose lashing impact curled her to a shivering ball. Chang carried her beyond the narrow ribbon of beach and over a hedge of sharp black rocks, but already she felt her body failing, unable to form words for her chattering teeth. There were black trees, the Doctor banging on a wooden door, racks of drying and salted fish, and then she was bundled in front of a burning hearth. Outside it was morning, but inside the hut the air was close and foul, as if it had been nailed tight against the cold all winter. The dirigible's original destination had been the Duchy of Macklenburg, on the Baltic Sea—how far north had the airship flown? Someone held hot tea for her to drink, then they—Eloise?—took off her clothes and wrapped her in blankets. Miss Temple felt her chills swiftly escalate into fever . . . and then dreams had swallowed her whole.

Miss Temple sighed heavily, the sound quite muffled beneath the bedding, and slept.


When she next awoke the window had gone dark and there were sounds outside the door. Miss Temple crawled from the bed and stood more steadily than before. She plucked at her simple shift, wondering where it had come from, and pushed the hair from her face. How much must have happened while she slept? Yet instead of forming the many questions she ought to have had—about her companions, their location, the very date—Miss Temple found her attention drawn to a lurid flickering—already—beneath the surface of her mind, like tiny bubbles in a pot growing to boil. This was the Contessa's blue glass book of memories that Miss Temple had absorbed—and she shuddered to realize that each tiny bubble of memory found an echo in her flesh, each one threatening to expand to prominence in her mind, until the memory blotted out the present altogether. She had peered into the shimmering depths of the blue glass and been changed. How many of its memories had she consumed—experienced in her own body—and thus made her own? How many acts that she had never performed did she now remember? The Contessa's book was a catalog of insidious and unmentionable delight, the sensual experience of a thousand souls crammed together. The more Miss Temple thought about it the more insistent the memories became. Her face flushed. Her breath quickened. Her nostrils flared with anger. She would not have it.

She jerked open the door. Before her two women huddled over a large woven basket near an iron stove. At the sound of the door both looked up, faces blank with surprise. They wore plain dresses, soiled aprons, and heavy shoes, with their hair stuffed tightly under woolen caps—a mother and a daughter, sharing a thick nose and a certain flatness about the eyes. Miss Temple smiled primly and noticed that the basket was bundled full of linens quite broadly stained with blood. The younger of the two abruptly upended the pile to obscure the stains and shoved the entire basket from view behind the stove. The older turned to Miss Temple with a doting smile—which Miss Temple would have been less disposed to despise had it not appeared as so open a distraction from the basket—and rubbed her chapped hands together.

"Good day," said Miss Temple.

"You are awake!" The woman's voice bore an accent Miss Temple had heard before, from the mouths of sailors.

"Exactly so," replied Miss Temple. "And though I do not intend any inconvenience, it is true that I require rather many things in a short time. I should like breakfast—I have no sense of the time, so perhaps it is more supper I should ask for—and if possible a bath, and then some clothing, and more than anything, information: where precisely might I be, and where are my companions? And, of course, who are you?" she added, smiling again. "I am sure you have been instrumental to my recovery. I trust I was not a burden. One never enjoys being ill—often one calls out, sometimes brusquely. I have no memory of calling out at all—I have no memory of coming here—so I trust you will accept my open regrets for any . . . well, for anything untoward. I do indeed feel much better. Some tea would be lovely. And toast—toast of any kind. And, yes, something to wear. And news. Indeed, most of all news."


She smiled at them, expectan...

Edition details

• Publisher: Bantam
• Publication date: 2009
• Language: English
• ISBN 10: 0385340362
• ISBN 13: 9780385340366
• Binding: Hardcover
• Edition number: 1
• Number of pages: 528