A classic, reimagined.
A completely new editorial team, dozens of new selections and translations, all-new introductions and headnotes, hundreds of illustrations, redesigned maps and timelines, and a completely revamped media program all add up to the most exciting, accessible, and teachable version of “the Norton” ever published."synopsis" may belong to another edition of this title.
Martin Puchner, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University, is a prize-winning author, educator, public speaker, and institution-builder in the arts and humanities. He lives in Cambridge, Massachusetts.
Suzanne Conklin Akbari is Professor of Medieval Studies in the School of Historical Studies at the Institute for Advanced Study, Princeton. Her books include Seeing Through the Veil: Optical Theory and Medieval Allegory (2004) and Idols in the East: European Representations of Islam and the Orient, 1100–1450 (2009). Among her edited volumes are Marco Polo and the Encounter of East and West (2008), co-edited with Amilcare Iannucci, and the Oxford Handbook to Chaucer (2020).
Wiebke Denecke is S. C. Fang Professor of East Asian Literatures at the Massachusetts Institute of Technology. Her publications include The Dynamics of Masters Literature: Early Chinese Thought from Confucius to Han Feizi (2010), Classical World Literatures: Sino-Japanese and Greco-Roman Comparisons (2014), The Oxford Handbook of Classical Chinese Literature (2017) and a three-volume literary history of Japan from an East Asian perspective (Nihon “bun”gakushi) (2015–19). Denecke is the Founding Editor-in-Chief of The Hsu-Tang Library of Classical Chinese Literature, a bilingual translation series, which features smartly scholarly and eminently readable translations of East Asian literatures in Chinese.
Barbara Fuchs is Distinguished Professor of Spanish and English at UCLA, where she also directs the Diversifying the Classics project. She lives in Los Angeles.
Caroline Levine is David and Kathleen Ryan Professor of the Humanities and Professor of English at Cornell University. She has written three books: The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003), Provoking Democracy: Why We Need the Arts (2007), and Forms: Whole, Rhythm, Hierarchy, Network (2015). She is the nineteenth-century editor for the Norton Anthology of World Literature.
"About this title" may belong to another edition of this title.
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