The most comprehensive and distinctive collection of its kind.
The Norton Anthology of Drama offers sixty-five major plays―including three twentieth-century plays not available in any other drama anthology―the most carefully prepared introductions, annotations, and play texts, and a convenient two-volume, one-column format for ease of reading and carrying. Less expensive than rival anthologies, The Norton Anthology of Drama is also the best value―a book that students will keep long after the class is over."synopsis" may belong to another edition of this title.
J. Ellen Gainor is a professor of theater in the Performing and Media Arts department at Cornell University. She is the author of two books, Shaw’s Daughters: Dramatic and Narrative Constructions of Gender (1992) and Susan Glaspell in Context: American Theater, Culture, and Politics, 1915–48 (2003). Her edited volumes include Imperialism and Theater (1995) and Performing America: Cultural Nationalism in American Theater (2001). She is the co-editor, with Linda Bel-Zvi, of Susan Glaspell: The Complete Plays (2010).
Stanton B. Garner, Jr. is Professor of English and Adjunct Professor of Theatre at the University of Tennessee. He is the author of The Absent Voice: Narrative Comprehension in the Theater (1989), Bodied Spaces: Phenomenology and Performance in Contemporary Drama (1994), and Trevor Griffiths: Politics, Drama, History (1999). He served as guest editor for a special issue of Modern Drama on the topic of Theatre and Medicine (2008).
Martin Puchner is the Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University. He is the author of The Drama of Ideas: Platonic Provocations in Theater and Philosophy (2010), Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (2006), and Stage Fright: Modernism, Anti-Theatricality, and Drama (2002). His edited books and introductions include Six Plays by Henrik Ibsen (2003), Lionel Abel's Tragedy and Metatheatre (2003), The Communist Manifesto and Other Writings (2005), and Modern Drama: Critical Concepts (2007). He is also co-editor of Against Theatre: Creative Destructions on the Modernist Stage (2006), The Norton Anthology of World Literature, Third Edition (2012), and The Norton Anthology of Western Literature, Ninth Edition (2014).
"About this title" may belong to another edition of this title.
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