A lavish new investigation into the Paris Opera’s influence on Edgar Degas's painting.
From his debut in the 1860s up to his final works after 1900, the Paris Opera formed a focal point of Edgar Degas's paintings. He explored the theater's various spaces―auditorium and stage, private boxes, foyers, and dance studios―and painted those who frequented them: dancers, singers, orchestral musicians, audience members, and subscribers watching from the wings. This theater presented a microcosm of infinite possibilities, allowing him to experiment with multiple points of view, contrasting lighting, motion, and the precision of movement.
This catalog, created in concert with an exhibition at the Muse´e d'Orsay in Paris, and the National Gallery of Art in Washington, DC, considers the Paris Opera’s influence on Degas as a whole, examining not only his passionate relationship with the house and his musical tastes, but also the infinite resources of the opera's marvelous toolbox. Filled with striking reproductions of Degas’s work and including insightful essays by leading curators and scholars, Degas at the Opera offers admission into the world of Degas and the Paris Opera of the nineteenth century.
300 color illustrations"synopsis" may belong to another edition of this title.
Henri Loyrette is the former director of the Louvre Museum and former curator and director of the Muse´e d’Orsay.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: new. Hardcover. Throughout his entire career, from his debut in the 1860s up to his final works post1900, the Opera formed the focal point of Degas's output. It was his own 'front room'. He explored the theatre's various spaces - auditorium and stage, boxes, foyers and dance studios - and followed those who frequented them: dancers, singers, orchestral musicians, audience members and black-attired patrons lurking in the wings. This closed world presented a microcosm of infinite possibilities, allowing all manner of experimentations: multiple points of view, contrasts of lighting, the study of motion and the precision of movement.This book is the first to consider the Opera as a whole, examining not only Degas' passionate relationship with the House and his musical tastes, but also the limitless resources of this marvellous 'toolbox'. The work of a truly great artist offers us a unique portrait of the Paris Opera in the 19th century. The first book devoted to Degass depictions of the people and performances at the Opera de Paris. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780500023396
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Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Very Good condition. Spine sunned. (Opera in art, Impressionism, Exhibitions) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Seller Inventory # SB14AA-00107