Synopsis
Published to celebrate the 250th anniversary of his birth, a fresh look at the life and work of John Constable, whose life and work were profoundly shaped by the cycle of the natural world in his native rural England.
As exhilarating as a lungful of oxygen: that's how some of his contemporaries felt about John Constable’s paintings. Others, though, were baffled by his uncompromisingly fresh and realistic treatment of the natural world. Author Susan Owens follows Constable's work and life through the seasons, tracing the rhythms and resonances of the artist's year to offer a vivid, unconventional perspective on this beloved figure.
Whether in London in May, preparing pictures for exhibition and longing for the Suffolk spring, or painting boat-builders and waiting to be married in a particularly gloomy September, Constable's life and work were unusually shaped by the yearly cycles of weather and agriculture, as well as by the often competing demands of the art world. Raised in Suffolk, England, and trained to manage his father's land, his rural background had an enduring impact on his painting. His was the approach of one who knew the laneways, ploughs, and millponds he painted intimately, and who understood the countryside as a place of both labor and natural phenomena.
Though today he is often considered a traditional artist, in truth John Constable (1776–1837) was a radical in his own time. His sketchbooks and paintings reject secondhand, slipshod versions of nature, instead subjecting the land, its people, and industry to intense scrutiny; developing a new kind of painting to fit the landscape he saw with his farmer's eye and felt beneath the soles of his boots.
61 color illustrations"synopsis" may belong to another edition of this title.
About the Author
Dr. Susan Owens is an expert on British landscape art and a leading critical voice in the field. Her publications include The Story of Drawing: An Alternative History, which was Apollo magazine's 2024 Book of the Year, Imagining England’s Past: Inspiration, Enchantment, Obsession, and Spirit of Place: Artists, Writers and the British Landscape. She was curator of paintings at the V&A, and was involved in the major V&A exhibition and catalog Constable: The Making of a Master.
"About this title" may belong to another edition of this title.
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Hardback. Condition: New. A Radio 4 Book of the Week 'A marvellous book' Ali Smith Shaped by the cycle of the natural world, a fresh look at the life and work of John Constable to celebrate the 250th anniversary of his birth in 2026. As exhilarating as a lungful of oxygen: that's how some of his contemporaries felt about John Constable's paintings. Others, though, were baffled by his uncompromisingly fresh and realistic treatment of the natural world. Susan Owens follows Constable through the seasons, tracing the rhythms and resonances of the artist's year to offer a vivid, unconventional perspective on this beloved figure. Whether in London in May, preparing pictures for exhibition and longing for the Suffolk spring, or painting boat-builders and waiting to be married in a particularly gloomy September, Constable's life and work were unusually shaped by the yearly cycles of weather and agriculture, as well as by the often competing demands of the art world. Raised in Suffolk and trained to manage his father's land, his rural background had an enduring impact on his painting. His was the approach of one who knew the laneways, ploughs and millponds he painted intimately, and who understood the countryside as a place of both labour and natural phenomena. Though today he is often considered a traditional artist, in truth John Constable was a radical. His sketchbooks and paintings reject second-hand, slip-shod versions of nature, instead subjecting the land, its people and industry to intense scrutiny; developing a new kind of painting to fit the landscape he saw with his farmer's eye and felt beneath the soles of his boots. Seller Inventory # LU-9780500028896
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Constable's Year
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ISBN 10: 0500028893
ISBN 13: 9780500028896
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Hardback. Condition: New. A Radio 4 Book of the Week 'A marvellous book' Ali Smith Shaped by the cycle of the natural world, a fresh look at the life and work of John Constable to celebrate the 250th anniversary of his birth in 2026. As exhilarating as a lungful of oxygen: that's how some of his contemporaries felt about John Constable's paintings. Others, though, were baffled by his uncompromisingly fresh and realistic treatment of the natural world. Susan Owens follows Constable through the seasons, tracing the rhythms and resonances of the artist's year to offer a vivid, unconventional perspective on this beloved figure. Whether in London in May, preparing pictures for exhibition and longing for the Suffolk spring, or painting boat-builders and waiting to be married in a particularly gloomy September, Constable's life and work were unusually shaped by the yearly cycles of weather and agriculture, as well as by the often competing demands of the art world. Raised in Suffolk and trained to manage his father's land, his rural background had an enduring impact on his painting. His was the approach of one who knew the laneways, ploughs and millponds he painted intimately, and who understood the countryside as a place of both labour and natural phenomena. Though today he is often considered a traditional artist, in truth John Constable was a radical. His sketchbooks and paintings reject second-hand, slip-shod versions of nature, instead subjecting the land, its people and industry to intense scrutiny; developing a new kind of painting to fit the landscape he saw with his farmer's eye and felt beneath the soles of his boots. Seller Inventory # LU-9780500028896
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ISBN 10: 0500028893
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Hardcover. Condition: new. Hardcover. A Radio 4 Book of the Week 'A marvellous book' Ali Smith Shaped by the cycle of the natural world, a fresh look at the life and work of John Constable to celebrate the 250th anniversary of his birth in 2026. As exhilarating as a lungful of oxygen: that's how some of his contemporaries felt about John Constable's paintings. Others, though, were baffled by his uncompromisingly fresh and realistic treatment of the natural world. Susan Owens follows Constable through the seasons, tracing the rhythms and resonances of the artist's year to offer a vivid, unconventional perspective on this beloved figure. Whether in London in May, preparing pictures for exhibition and longing for the Suffolk spring, or painting boat-builders and waiting to be married in a particularly gloomy September, Constable's life and work were unusually shaped by the yearly cycles of weather and agriculture, as well as by the often competing demands of the art world. Raised in Suffolk and trained to manage his father's land, his rural background had an enduring impact on his painting. His was the approach of one who knew the laneways, ploughs and millponds he painted intimately, and who understood the countryside as a place of both labour and natural phenomena. Though today he is often considered a traditional artist, in truth John Constable was a radical. His sketchbooks and paintings reject second-hand, slip-shod versions of nature, instead subjecting the land, its people and industry to intense scrutiny; developing a new kind of painting to fit the landscape he saw with his farmer's eye and felt beneath the soles of his boots. Published to celebrate the 250th anniversary of his birth, a fresh look at the life and work of John Constable, whose life and work were profoundly shaped by the cycle of the natural world in his native rural England. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780500028896