The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. Beginning with the early decades of the eighteenth century, the essays in this volume consider some of the musical traditions and practices of this little understood period of music history. Four main areas are covered: orchestral music, sacred music, opera and keyboard music.
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The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. This volume of twelve essays by leading international scholars covers some of the musical traditions and practices of this little-understood period of music history. Beginning with the early decades of the eighteenth century, the volume documents selected aspects of musical life and style from the late Baroque period to the early years of the nineteenth century. The four main areas covered in this exploration of new territories in music history are orchestral music, sacred music, opera and keyboard music. Georg Reutter (Haydn's teacher), Antonio Salieri (Mozart's colleague) and Joseph Wolfl (a rival of Beethoven) are only three of the prominent musicians of the period who are discussed at length.
"The book stands as an excellent contribution to modern research. The editor's introductory essay outlines genuinely new perspectives, and it ends, appropriately, with the statement Larsen's Challenge to Musicology remains." Alfred Mann, The Opera Quarterly
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Paperback. Condition: new. Paperback. The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. This volume of twelve essays by leading international scholars considers some of the musical traditions and practices of this little-understood period of music history. Beginning with the early decades of the eighteenth century, the volume documents selected aspects of musical life and style from the late Baroque period through to the early years of the nineteenth century. The four main areas covered in this exploration of music history are orchestral music, sacred music, opera and keyboard music. Georg Reutter (Haydn's teacher), Antonio Salieri (Mozart's colleague) and Woelffl (a rival of Beethoven) are just three of the period's prominent musicians who are discussed at length. The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. Beginning with the early decades of the eighteenth century, the essays consider some of the musical traditions and practices of this period of music history. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521028592
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Condition: New. An examination of the little-understood period of music history in which Haydn, Mozart and Beethoven worked. Editor(s): Jones, David Wyn. Num Pages: 304 pages, 3 b/w illus. 12 tables 68 music examples. BIC Classification: 1DFA; 3JF; AVGC3. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 16. Weight in Grams: 475. . 2008. Reissue. paperback. . . . . Seller Inventory # V9780521028592
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