Eleven “witty, subtle, [and] passionate” (The New York Times Book Review) stories from Nobel Prize–winning author Alice Munro, “a true master of the form” (Salman Rushdie)
“Alice Munro’s fine and intelligent stories are like Edward Hopper paintings, lit with a relentless clarity, and richly illuminating the perplexities of human connection, their possibilities and pain.”—Washington Post Book World
In these piercingly lovely and endlessly surprising stories by one of the most acclaimed practitioners of the art of fiction, many things happen; there are betrayals and reconciliations, love affairs consummated and mourned. But the true events in The Moons of Jupiter are the ways in which the characters are transformed over time, coming to view their past selves with anger, regret, and infinite compassion that communicate themselves to us with electrifying force.
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Alice Munro is the author of thirteen collections of stories—including Dear Life, Runaway, and Too Much Happiness—as well as a novel, Lives of Girls and Women. Among the many awards and prizes she received are three Governor General’s Literary Awards and two Giller Prizes in Canada; the Rea Award; the Lannan Literary Award; the National Book Critics Circle Award; and the International Booker Prize. Her stories have appeared in The New Yorker, The Atlantic, The Paris Review, and other publications, and her collections have been translated into thirteen languages. She was awarded the Nobel Prize in Literature in 2013. Alice Munro died in 2024.
In these piercingly lovely and endlessly surprising stories by one of the most acclaimed current practitioners of the art of fiction, many things happen: there are betrayals and reconciliations, love affairs consummated and mourned.
rcingly lovely and endlessly surprising stories by one of the most acclaimed current practitioners of the art of fiction, many things happen: there are betrayals and reconciliations, love affairs consummated and mourned. But the true events in The Moons Of Jupiter are the ways in which the characters are transformed over time, coming to view their past selves with an anger, regret, and infinite compassion that communicate themselves to us with electrifying force.
Themes of heartbreak and the sadness of women aging dominate this collection: in ``The Stone in the Field,'' maiden aunts inhabit a farmhouse, dreading human contact; in ``The Turkey Season,'' a girl paid to gut turkeys observes the sexual carryings-on of adults. According to PW , ``The writer's questioning memory gives us sharp flashes of reality that are so vividly recalled they permit us to live another life for a moment.''
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