Vineyard Blues : A Martha's Vineyard Mystery - Hardcover

Craig, Philip R.

Hardcover

ISBN 10: 0684834553 ISBN 13: 9780684834559

Publisher: Scribner, 2000

Synopsis

J.W. Jackson's investigation into some mysterious arson fires on Martha's Vineyard becomes personal when one of the fires takes the life of his old friend, African American bluesman Corrie Appleyard, who was in town to play a few shows

About this title

About the Author

Philip R. Craig grew up on a small cattle ranch southeast of Durango, Colorado. He earned his M.F.A. at the University of Iowa Writers' Workshop and recently retired as professor of literature at Wheelock College in Boston. He and his wife Shirley now live full-time on Martha's Vineyard. His most recent books include A Fatal Vineyard Season, A Shoot on Martha's Vineyard, A Deadly Vineyard Holiday, and Death on a Vineyard Beach. The first J.W. Jackson mystery was A Beautiful Place to Die.

Reviews

Despite a propitious start, Craig's latest offering in the Vineyard series soon degrades into a dull tale hampered by cardboard characters and a simplistic plot. Former Boston cop J.W. Jackson, the easy-going narrator, is surprised and pleased to see an old friend of his father's, Corrie Appleyard, stroll up his Martha's Vineyard driveway. Corrie, a blues guitarist who has come to the island for a few small gigs, renews his friendship with J.W., whom he hasn't seen in 30 years. After an enjoyable evening with J.W. and his wife, Zee, Corrie returns to his lodging, a house owned by slumlord Ben Krane. Several days later, as Corrie is about to return to the mainland, that house burns to the ground with an unidentified body inside. Suspecting arson, the third against one of his rental properties, Krane hires Jackson to investigate, despite their unexplained mutual animosity. Jackson, meanwhile, fearing that a now-missing Corrie is the arson victim, has been asked by friend Susanna to help identify the man who has been harassing her over the phone about her former life in the porn industry. The premise for both plots is solid enough, but Jackson's irritatingly perfect wife and children are too unrealistic to be believed, while other characters lack personality. Predictable endings to both mysteries cap off a disappointing novel in which the only remaining question is how many times the Jackson children get taken for ice cream. (June)
Copyright 2000 Reed Business Information, Inc.

Drenched in local color--and the locale is the ever-adorable Martha's Vineyard--this insinuatingly attractive series, starring J. W. and Zee Jackson, grows and deepens. Retired cop and chauvinistic Vineyard native J. W. finds Corrie Appleyard in front of his home one day. Corrie is an old bluesman, friend of J. W.'s late father. He's come to play in a local club and stay with a grandchild's friends in one of the rattletrap homes a local lawyer rents out to bands of college kids. When two of those houses burn down, a body turns up, and Corrie disappears, arson and worse are suspected. J. W. is hired by the lawyer to do a little sleuthing, and Zee strongly objects. We get nice meals (there's always a recipe or two), minilectures on appropriate tourist behavior, and the requisite mild cantankerousness from our hero, who refuses to submit to a computer, answering machine, or even a color TV. GraceAnne A. DeCandido
Copyright © American Library Association. All rights reserved

J.W. Jackson, ex-Boston cop and series sleuth, investigates intentionally set fires targeting Martha's Vineyard houses rented to college students. After an unidentified body is found in a house rented to J.W.'s visiting friend, J.W. becomes involved. Solid.
Copyright 2000 Reed Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

The first time I saw Corrie Appleyard I was about five years old. I woke up hearing music late at night and came downstairs and found him and my father sitting in the kitchen of our house in Somerville, picking at their guitars while Corrie sang. The next time was about a year later in a dingy bar somewhere in Boston. My father, my sister, and I were at a table and Corrie was on the little stage, sitting on a high stool behind a mike, playing and singing. I remember that it was a smoky, smelly, noisy place and that I was drinking an orange soda, and that we were the only kids there, but I don't recall much else. Later, Corrie used to come to our house whenever he was in the Boston area, and a couple of times he came to my father's cottage on the Vineyard. Then I didn't see him anymore until June this past summer, when he came walking out of the past down our long, sandy driveway.

Zee and I and the kids were in the yard loafing under the warm blue June sky when Diana stopped running around and stared up the driveway, then moved over to her mom. Zee and I turned our heads and there was Corrie walking toward us, satchel in one hand, guitar case in the other. I hadn't seen him in more than thirty years, but I recognized him instantly. At first, he didn't seem to have changed at all, but then he'd always looked ancient to me, being older, even, than my father.

Now, though, he really did have some years stacked on his shoulders. His skin was still that same coffee color, but now it was lined and his hair was mostly gray, as was the mustache and beard that once had been black as tar. There was a hint of illness in his face, but though his step wasn't quite as light as it once had been, it wasn't an old man's shuffle, either. It was the stride of a man who had walked a lot and still had places to go.

He hesitated as I stood up from my lawn chair, but then came on.

"Who could that be?" asked Zee, giving cautious Diana a hand to hold.

"That's Corrie Appleyard," I said, feeling happy. I went to meet him and put out my hand. "Corrie," I said. "My God, it's good to see you."

He put down the satchel and squinted at me as he took my hand. "You got the edge on me, young fella. Who might you be?"

"I'm J. W. Jackson. Roosevelt's son. You used to come to our house in Somerville and you came here once or twice, too."

His smile was as white as ocean foam. "Little Jeff. You've growed up some. Well, I'll tell you, Jeff, I happen to be on the island, so I thought I'd come and see your daddy." He looked at the house. "My, my, this place has changed quite a bit."

I picked up the satchel. "It was mostly just a hunting camp when you were here, but now it's getting closer to being a house. You won't find my dad, I'm afraid. He died a number of years ago. But come on, I want you to meet my wife, Zee."

He walked beside me. "Rosy, dead? I'm sorry to hear it."

"It was a warehouse fire. A wall fell on him and a couple of other firemen. Almost twenty years ago, now. My sister's married and living out near Santa Fe, and I'm right here. We sold the Somerville place."

He shook his head. "Twenty years. Time does fly."

We came to where Zee and Diana were standing. Zee, wearing shorts and a shirt tied around her flat, tanned belly, held Diana's head pressed against her with one hand, while Diana wrapped both arms around her mother's sleek thigh and eyeballed Corrie, trying to decide whether he was friend or foe.

"Zee," I said. "This is Corrie Appleyard. Corrie, this is my wife, Zee."

Their hands met and their smiles gleamed. "How do you do, Mrs. Jackson?"

"Call me Zee, Mr. Appleyard."

His head dipped and rose. "Zee, then. And I'm Corrie. I knew your husband's father, and Jeff, here, when he wasn't much older than that lad over yonder. I do believe that you're the first Zee I've known."

"It's short for Zeolinda. My people are Portuguese."

"And Corrie's short for Cortland. My people are mostly African originally, with little bits of this and that mixed in over the years. And who might this be?"

"This is my daughter, Diana. And that guy over there is her big brother, Joshua. Joshua, come and meet Corrie."

Joshua, who had been taking things in from the far side of the yard, came and accepted Corrie's hand.

"How do you do?" said Corrie.

"I'm fine. Nice to meet you," said Joshua, just the way he'd been taught.

"You shake hands, too," said Zee to Diana, "and say hello."

Diana let go of her mother's leg with one hand and held it out. "Hello," she said.

"Hello, Diana." Corrie's big brown fingers enveloped her small pudgy ones.

Diana retrieved her hand and again wrapped her arm around Zee's leg. Her eyes went to Corrie's battered, sticker-covered guitar case. "I know what's in there."

"What?" asked Corrie.

"A guitar."

"You're right," said Corrie, acting impressed. "How did you know?"

"My pa's got one. He plays it sometimes."

"Does he, now." Corrie looked at me.

I nodded. "I have two, actually. My dad's old Martin, and a Gibson I got at a yard sale for thirty bucks. But to call what I do with them 'playing' is stretching it a bit."

"He sings to us sometimes when we go to bed," said Joshua, who as usual had been listening even though he didn't have a lot to say.

Atta boy, Josh. Stand up for your old man.

"I was about to bring out some lemonade for the kids and a couple of beers for the grown-ups," said Zee. "You got here just in time to join us. You and Jeff have some catching up to do, I'd say."

"Well, I don't mean to intrude on you, but a beer sounds good. Thank you."

"Don't say too much before I get back," said Zee, lifting Diana to her hip. "I want to listen in." Mother and daughter turned and disappeared through the door of the screened porch.

"Let's grab a couple of chairs," I said, and led Corrie to the lawn table between the house and the garden. He put his guitar case on the ground and sat down.

"I remember the view," he said, looking east over the garden toward Sengekontacket Pond, the barrier beach on its far side, and the sound that stretched toward Cape Cod.

"A million-dollar view and a two-thousand-dollar house," I said. "Like the guy in the song with a ten-dollar horse and a forty-dollar saddle."

He nodded. "I remember when Rosy bought this place. Twenty-five hundred dollars, as I recall. He wanted me to go in with him. Did you know that?"

"No. He did, eh?"

"Yeah, he did. Your mom was dead then, poor thing, and Rosy wasn't interested in any other woman. He thought the two of us could share this camp, but I had the Mississippi place already, and a sugar foot to boot, so I wasn't interested in owning anything I couldn't carry with me. Besides, I told him, there wasn't no reason for me to spend all of my money buying a house when I could sponge off of him for free! So he bought it by himself." Corrie's laugh came from deep down somewhere.

"Well, you're more than welcome to stay here now, if you don't mind tight quarters," I said. "A lot of water under the bridge since I last saw you, and we'll need some time to catch up."

But he was looking at the lumber in the yard and at the skeleton of the rooms I was building for Diana and Josh, and shook his head. "Not this time, but thanks. I see that you've outgrown the place and are adding on. I'll have that beer and then be on my way."

I felt a wave of dismay. "You can have the couch in the living room. I don't want to lose you before you're really here."

"That goes for me, too," said Zee, coming out with a tray filled with drinks, crackers, and bluefish pâté. "We've about worn out that record we have of you and Blind Boy Fuller, and I want to spend some time with the man who made that music."

"That's mighty fine of you, ma'am, but I already got me a place to stay. Boy I know and some of his fr

Edition details

• Publisher: Scribner
• Publication date: 2000
• Language: English
• ISBN 10: 0684834553
• ISBN 13: 9780684834559
• Binding: Hardcover
• Edition number: 1
• Number of pages: 224