Class, race, and sexuality converge in this page-turning story of desire, jealousy, and survival.
Set in west Philadelphia in the early sixties, Tempest Rising tells the story of three sisters, Bliss, Victoria, and Shern, budding adolescents raised in a world of financial privilege among the upper-black-class. But their lives quickly unravel as their father's lucrative catering business collapses. When their father disappears suddenly, he is presumed dead, sending their mother spiraling into an apparent breakdown. The girls are wrenched from their mother and dumped into foster care in a working-class neighborhood in the home of Mae, a politically connected card shark.
Though Mae lavishes affection onto her foster children, she is abusive to her own child, Ramona, a twenty-something stunning beauty. As Ramona struggles with Mae's abuse and her own hatred for the foster children, she also tries to keep at bay a powerful attraction she has for her boyfriend's father.
In Tempest Rising, McKinney-Whetstone richly evokes the early 1960s in west Philadelphia in this story of loss and healing, redemption, and love.
"synopsis" may belong to another edition of this title.
Diane McKinney-Whetstone is the author of the critically acclaimed novels Our Gen, Tumbling, Lazaretto, Tempest Rising, Blues Dancing, Leaving Cecil Street, and Trading Dreams at Midnight. She is the recipient of numerous awards, including the Black Caucus of the American Library Association’s Literary Award for Fiction, which she won twice. A past lecturer at the University of Pennsylvania, her work has appeared in the Atlantic, Essence Philadelphia magazine, and the Philadelphia Inquirer. She lives in Philadelphia, Pennsylvania, with her husband.
Set in west Philadelphia in the early sixties, Tempest Rising tells the story of three sisters, Bliss, Victoria, and Shern, budding adolescents raised in a world of financial privilege among the upper-black-class. But their lives quickly unravel as their father's lucrative catering business collapses. He disappears and is presumed dead, and their mother suffers an apparent breakdown. The girls are wrenched from their mother, and as the novel opens they are living in foster care in a working-class neighborhood in the home of Mae, a politically connected card shark. Though Mae is filled with syrupy names like "pudding" and "doll face" for the foster girls, she is abusive to her own child, Ramona, a twenty-something stunning beauty. As Ramona struggles with Mae's abuse and her own hatred for the foster children, she also tries to keep at bay a powerful attraction she has for her boyfriend's father.
Diane McKinney-Whetstone richly evokes the early 1960s in west Philadelphia in this spicy story of loss and healing, redemption and love.
It is 1965 in Philadelphia. Clarise, Finch, and their three adolescent daughters are living the dream life of the black financially privileged when suddenly Finch's lucrative catering business falls on hard times and Clarise suffers an apparent nervous collapse. The daughters are discharged into the foster care of Mae, a politically connected card shark, and her stunningly beautiful, yet mean-spirited, daughter, Ramona. The girls are not only faced with the status change of being catapulted into a working-class neighborhood; they must also deal with the spirit of malignity and jealousy that seems to hover over Mae's house. The girls' presence in and subsequent disappearance from Mae's house force Mae and Ramona to move beyond the abuse that has characterized their relationship and confront the brutal secret that caused their hearts to lock against one another.
Clarise's aunt Ness wasn't the only one praying for their prosperity. Finch had moneymaking on his mind from the start of their holy matrimony. Clarise's type of beauty begged for mink and silk. But before he thought about such large-scale purchases, he knew he'd want to keep her in sheer, lacy nightgowns. He'd noticed right away after he'd carried her over the threshold of their honeymoon hotel on Kentucky Avenue in Atlantic City and she'd unpacked the quality tweed suitcase that belonged to the uncles, there was only the fancy nightgown. Lord have Mercy he thought she'll leave me for some other cat if I can't keep her in good lingerie. He could hardly concentrate on satisfying her appetites that night thinking about that nightgown. She'd teased him so, played peek aboo and hide-and-seek with her one nightgown before she'd let him poke his fingers thought the holed the lace made.
Finch just lay there staring at the ceiling that entire night while Clarise snored softly against his chest and lightly ground her teeth. Instead of counting sheep, Finch ticked off the mammoth hidden costs of having such a beautiful bride. In addition to nightgowns, there would be fine nylons, imported scents, luxurious skin creams, manicures, and pedicures, and even though he loved her hair when it went soft and bushy and looked like cotton candy, felt like it too when it bounced all up and down his chest to the rhythm of her body working his manhood like it had never been worked before, he knew she'd want to get that cotton candy hair pressed out on a regular basis and not at someone's kitchen table either; she warranted the finest, full service salons.
The list of expenses kept accumulating in Finch's head even until morning, when Clarise woke glowing and chattering about that delicious ocean breeze sifting through the screen in the Kentucky Avenue hotel.
"Come on, Finch, -- she giggled -- "let's hurry and swim in the ocean early before the beach gets crowded and people let their untrained children stir up the sand in our faces and pee in the ocean and scatter wax paper from their bologna and cheese sandwiches all over the shoreline."
Mercy Lord, he thought. He hadn't even gotten to children. Children would be a whole separate list. As it was already, he'd have to work night and day as a short order cook at the Seventeenth-Street Deweys. But he couldn't work night and day. Surely Clarise would get bored waiting for him to come home to play peekaboo games with her nightgown.
He was so plagued with thoughts of some prosperous cat showering his exotic beauty of a bride with see-through lacy lingerie that his steps lumbered heavier than usual as they walked to the beach. Clarise tickled him and tried to entice him into a game of tag; she slapped his butt, blew into his ear, called him honeybunch, and jumped up and down like a squirrel as they walked. Finch hardly grunted. "Got things on my mind, pretty baby," he said.
"But the sun is overhead, the ocean's in our sight, the day is young and so are we, Finch. What could possibly be so pressing on your mind?"
Before he could tell her that it was money, the type of money he'd need to treat her, to keep her, to do right by her as her man, a seagull released it's creamy droppings right on to Finch's hatless head. "What the fuck," he said as he patted his head and looked up, only to have the loose boweled gull go again and again and again, substantial plops, until Finch had to cover his head and run around in circles.
Clarise was laughing and really hopping now. "Oh, Finch, it's glorious, it's the most wonderful thing. I knew it! I knew it! I was right. Thank you Lord, I was so damned right."
"What the hell is so freaking wonderful about a nasty gull shitting on my head? Finch asked, wiping his forehead furiously, trying to keep the shit from his eyes.
"It's luck, silly fool." Clarise continued to laugh. "Bird shit, just a dripping on your head means prosperity. And look at you. You're covered in shit. We're going to be rich, rich, I tell you, Finch. Filthy rich. So rich we'll move to a huge, brick single heaven of a house. And that's what we'll call it, Finch. Heaven. We're on our way to Heaven, my wide-backed, flat-footed man." She wrapped her arms around his shoulders and kissed his face, even where the milky omen of their prosperity dripped and ran.
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