In a career that spanned much of the twentieth century, Hungarian-born photographer André Kertész (1894-1985) created deceptively simple yet compelling and poetic photographs. This book presents approximately 120 of these striking images as well as previously unpublished archival material that sheds important light on the artist and his work.
Like the exhibition it accompanies, André Kertész takes us through Kertész's years in Budapest, Paris, and New York. Unlike other works on Kertész, it presents only vintage prints and includes several seldom seen photographs from throughout his career.
Written by renowned art historian Sarah Greenough and Kertész Foundation curator Robert Gurbo, André Kertész includes excerpts from the photographer's previously unexamined journals and correspondence--documents that prompted the authors to reexamine every period of Kertész's life and work. They reflect on their findings in essays covering each of the major phases in Kertész's career.
While the book includes examples of the artist's most important photographs, including Chez Mondrian, The Satiric Dancer, and The Eiffel Tower, it also focuses on the intensely autobiographical nature of his work. It elegantly demonstrates the ways in which Kertész injected his persona, both literally and metaphorically, into his work.
Accompanying the book's essays and exquisite tritone reproductions of his photographs are an illustrated chronology that corrects many previous errors, a comprehensive bibliography, and selections of previously unpublished writings by the photographer.
EXHIBITION SCHEDULE:
http://www.nga.gov/exhibitions/exhibits.htm National Gallery of Art, Washington
February 6-May 15, 2005
http://www.lacma.org/ Los Angeles County Museum of Art
June 12-September 5, 2005
"synopsis" may belong to another edition of this title.
Sarah Greenough is curator and head of the Department of Photographs at the National Gallery of Art. Robert Gurbo is curator of the Kertész Foundation in New York. Sarah Kennel is research associate at the National Gallery of Art.
"Kertész always insisted, only somewhat disingenuously, that he was, as he called it, an 'amateur.' And so he was in a way. Not in the sense of the unskilled or unprofessional hack, but in the root sense of the word, as someone who does what he does not for fame and fortune, but for love. . . . What he tried to maintain in his art was, as curator Sarah Greenough points out . . . a kind of artistic virginity. Kertész's genius was his passion, his romanticism, his knack for seeing something fresh, as if it had never been looked at, at least not quite that way, before."--Michael O'Sullivan,The Washington Post
"Kertész always insisted, only somewhat disingenuously, that he was, as he called it, an 'amateur.' And so he was in a way. Not in the sense of the unskilled or unprofessional hack, but in the root sense of the word, as someone who does what he does not for fame and fortune, but for love. . . . What he tried to maintain in his art was, as curator Sarah Greenough points out . . . a kind of artistic virginity. Kertész's genius was his passion, his romanticism, his knack for seeing something fresh, as if it had never been looked at, at least not quite that way, before."--Michael O'Sullivan, The Washington Post
"About this title" may belong to another edition of this title.
Seller: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Clean copy with unmarked and undamaged pages, intact dust jacket. Category: Photography. Seller Inventory # ABE-1789580498997
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First Edition (2005.) Hardcover with dust jacket. 4to with 302 pages. The book and dust jacket are in very good condition. Interior is clean and tight. Profusely illustrated. Pictures available upon request. " The quality and presentation of the images in this book are as close as you can view the original prints. The text in the book effectively illuminates and enhance each image. The book does justice to one of the 20th century's most outstanding photographers.presents approximately 120 of these striking images as well as previously unpublished archival material." International shipping extra. Red spine/White text. Size: 4to. Photography Exhibitions. Seller Inventory # 035878
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. National Gallery of Art/ Princeton University Press: 2005. Quarto. Hardcover with a dust jacket. First printing. Red boards with black lettering along the spine. Two small bumps to the fore edge of the boards. Unclipped jacket has mild edge wear. Book and jacket are both in near fine condition. Seller Inventory # 003162
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Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. Seller Inventory # GWV.0691121141.VG
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Dust Jacket Condition: dj. First Edition. First Edition. Published in conjunction with an exhibition of the artist's work held from February 6 to May 15, 2005, at the National Gallery of Art, and from June 12 to September 5, 2005, at the Los Angeles County Museum of Art. About Fine in a Near Fine dust jacket. Seller Inventory # 161207
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 302 pages. Published in conjunction with an exhibition that ran February 6 through May 15, 2005 at the National Gallery of Art and then June 12 through September 3, 2005 at the Los Angeles County Museum of Art. Introduction by Sarah Greenough and Robert Gurbo. Essays by Greenough, Gurbo, and with a chronology by Sarah Kennel. Includes over 100 black and white images. A very fine copy in a very fine dust jacket and still somewhat in the publisher's shrinkwrap. Seller Inventory # 214088