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Best known for his fantasy fiction (the Saga of Recluce), Modesitt has outdone himself in this highly original SF novel, using future technology to satirize and amplify the gulf that separates science from art. In the 24th century, politics remains much the same, with radical, Islamic fundamentalism still posing a threat. The author rapidly introduces five separate narrators, but since he delineates each with the skill of a latter-day Dickens, the reader doesn't feel overwhelmed. Nor does Modesitt overdo the future slang, which is always clear in context (what was once the United States is now "NorAm"). One of the five narrators, Senator Cannon of the Deseret District, insists on sticking to his principles in seeking re-election. Meanwhile, Lt. Eugene Chiang, who shows how little police work has changed, is investigating the "impossible" suicides of a string of concertgoers. Chiang's engaging exchanges with classical music teacher Cornett illuminate the ways technology can undermine an art form. One is reminded of Arthur C. Clarke's tale "The Ultimate Melody," as Cornett battles to make others appreciate music as art instead of as product. Set against a background of biological terrorism, Modesitt's tale explores social issues (only the rich can afford privacy as well as injections of microscopic, medical robots to stay healthy) sure to resonate with many readers. This brilliant novel is as thought provoking as it is entertaining.
Copyright 2002 Cahners Business Information, Inc.
Trusty fantasy hand Modesitt turns to hard sf--to be specific, nanotechnology--and brings to it the same informed intelligence and occasionally slow pacing that distinguish most of his work. Four hundred years from now, nanotechnology protects the elite and provides clean, safe production for most material needs. But it doesn't eliminate normal human perversity, in either individuals or group relations. When a series of mysterious deaths begins, Modesitt has us see it from the steadily converging viewpoints of a music teacher, a news researcher, a politician (complete with constituents), and an ambitious, ruthless dynastic businessman. Each viewpoint character tells his or her story in the first person, which makes the depiction of the world Modesitt creates exceptionally vivid but the narrative continuum somewhat hard to get into. Ultimately, most readers probably will be absorbed in the book and glad that the ending doesn't preclude further stories in its setting. Roland Green
Copyright © American Library Association. All rights reserved
In the 24th century, the health and physical well-being of the world's elite rests in the care of nanomachines. Despite society's apparent progress, social unrest remains a part of everyday life. The latest sf novel by the author of the Recluce fantasy series tells the stories of a music teacher battling new trends in music, a police investigator stumped by a series of unsettling crimes, a news reporter in search of the real story, a businessman bound to succeed regardless of the cost, and a politician attempting to walk a fine line between his agenda and his principles. These disparate tales produce a large-scale portrait of a future that still revolves around human concerns. Simultaneously thoughtful and entertaining, this is a good addition to most sf collections.
Copyright 2002 Reed Business Information, Inc.
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